Glam Slam Chronicles (Everything)

Mick Ronson's Solo Rainbow Debut Tease Published in the UK on January 26, 1974, New Musical Express’s one-page article “Ronson's Rainbow” announced Mick Ronson’s solo career launch with two major headline concerts at London’s Rainbow Theatre on Friday and Saturday, February 22 and 23, 1974. The feature revealed further provincial dates were being lined up, with support from Mike Garson (keyboards), Trevor Bolder (bass), and Aynsley Dunbar (drums). It noted Ronson’s debut solo

The Mind That Hit Disc Magazine Published in the UK on January 26, 1974, Disc magazine’s one-page single review covered Alvin Stardust’s “Jealous Mind” (Magnet MAG 5), hailing it as “magnificent.” The enthusiastic review praised Stardust for doing a Roy Wood-style homage to classic rock 'n' roll, sounding like a perfect composite of Adam Faith (in his good old days), Elvis Presley, and others from that era. It predicted the single would “rush up the charts in the twinkling of

Slade's 1974 Popswop Fan Club Spotlight Published in the UK on January 26, 1974, Popswop Magazine’s two-page feature “Slade Fan-atics” was a full-on celebration of Slade’s exploding fanbase during their early glam-rock peak. The article dived into the wild devotion of Slade fans — the screams, the banners, the letters, the chaos at gigs — and spotlighted Noddy Holder, Dave Hill, Jim Lea, and Don Powell as the four lads driving the hysteria. With photos of the band in full gli

Roxy Music's No. 1 Stranded Triumph Published in the UK on January 26, 1974, Popswop magazine’s one-page article “Stranded, But Only at the Top!” celebrated Roxy Music’s latest album Stranded  reaching No. 1 on the UK Albums Chart. The feature highlighted the band’s artistic evolution, Bryan Ferry’s suave vocal style, Phil Manzanera’s inventive guitar, and the lush, sophisticated sound that defined their third album — their first chart-topper. It captured the excitement of Ro

The 7-inch vinyl single featuring Marc Bolan and T. Rex's "Teenage Dream" , with "Satisfaction Pony" as the B-side, was released in the UK by EMI Records through T. Rex Wax Co. (catalog number MARC 6) on January 25, 1974. It debuted on the UK charts on February 9, at number 18, climbed to number 13 the following week, which was its peak position, and remained on the chart for a total of 5 weeks. "Surprise, surprise! Marc sings out - and at last, it really is the new T.Rex so

Suzi Quatro's Glam-Rock No. 1 Smash Released as a 7-inch vinyl single in the UK on January 25, 1974, on RAK Records (catalogue: RAK 167), Suzi Quatro’s “Devil Gate Drive” — backed with “In The Morning” — was a high-octane glam-rock stomper written and produced by Nicky Chinn and Mike Chapman. It entered the UK Singles Chart on February 9, 1974, and became Suzi’s first UK No. 1, holding the top spot for 5 weeks during an 11-week run. Track Listing A: Devil Gate Drive B: In T

Alice Cooper Group’s "Muscle of Love"  backed with "Crazy Little Child" , was released as a 7-inch vinyl single in the US by Warner Bros. Records (catalog number WB 7762) on January 25, 1974.Both tracks are from the Muscle of Love album, with the single noted in a 1974 Cash Box review for its gritty hard rock edge and theatrical flair, characteristic of the band’s final studio effort. Tracklist (7” Vinyl): A1. Muscle of Love – 3:42 B1. Crazy Little Child – 5:12 Note: The tra

Studio 2, Olympic Studios, 117 Church Road Barnes, South West London, England During the Diamond Dogs sessions on January 24, 1974 visitors included Mick Jagger, Pete Townshend, Ronnie Wood, and Rod Stewart, who contributed an uncredited sample from the opening track of Coast To Coast: Overtures And Beginners, The Faces' live album released two weeks earlier. Bowie used the crowd's roar and Rod Stewart's "Hey!" greeting for the beginning of 'Diamond Dogs'.

Sweet’s Otto Winner Sweet , a cover and one-page article in Bravo Magazine , January 24, 1974

Scrapbook article, published January 21, 1974. T. REX are to make their first big tour of Britain for more than two years with a special new stage production and album to follow. The tour, which begins at City Hall Newcastle on January 21, will be the first time that audiences in Britain have been able to see the act that Marc Bolan has taken to America, Australia and the Far East in the past year. Other tour dates are: Apollo, Glasgow (January 22), Sheffield City Hall (24),

Faces' Boozy Live Masterpiece Published in the UK on January 19, 1974, Melody Maker’s one-page review of Faces’ live album Coast To Coast: Overture And Beginners celebrated it as the band’s most representative release to date. The reviewer praised the raw, ramshackle energy of the Anaheim and Hollywood Palladium shows (October 1973), highlighting Kenny Jones’ economical drumming, Ian McLagan’s impressive piano/organ, Tetsu Yamauchi’s propulsive bass, Ronnie Wood’s standout sl

Bolan's Zinc Alloy Reveal Tease Published in the UK on January 19, 1974, Melody Maker’s one-page small article “Truck on, Zinc” announced Marc Bolan’s upcoming persona shift to Zinc Alloy — a playful, prophetic name he had mentioned years earlier: “If ever I get into the chart, I'm going to change my name to Zinc Alloy.” The piece recapped T. Rex’s hits (“Telegram Sam,” “Truck on Tyke”), noted Bolan’s two-year absence from touring, and teased the launch of his first major tou

Bowie's 1974 Music Star Spotlight Published in the UK on January 19, 1974, Music Star Magazine’s one-page article “Bowie Music Star” featured David Bowie at the height of his Ziggy Stardust fame. Publication Details Magazine: Music Star (UK). Date: January 19, 1974. Format: One-page poster

Lulu's Bowie-Produced NME Promo Published in the UK on January 19, 1974, New Musical Express’s one-page advert promoted Lulu’s new single “The Man Who Sold The World” backed with “Watch That Man.” The ad highlighted that both tracks were produced and arranged by David Bowie and Mick Ronson for Mainman, positioning it as a major Bowie-related release. Marketed by Polydor Limited (catalogue: 2001 490), it was described as a product of Chelsea Record Corporation. Advert Text LUL

Alice's First Non-Singing TV Role Published in the UK on January 19, 1974, Melody Maker’s one-page article “TV Warlock Role For Alice” announced that Alice Cooper would make his first non-singing appearance on American television. The piece highlighted Cooper’s upcoming role as a warlock of shock in a TV special or programme, showcasing his theatrical persona beyond music performances. It emphasized his growing crossover appeal from rock to mainstream entertainment. Article O

Magnet Records Double Jingle Promo Released as a promo-only 7-inch vinyl single in the UK on January 19, 1974, on Magnet Records (catalogue: MAG 5003 / MAG 5004), this rare double-sided jingle disc featured short promotional spots for Peter Shelley and Alvin Stardust. Side A contained a brief “Gee Baby” LP jingle for Peter Shelley, while Side B featured an “Alvin Stardust” LP jingle. Both were designed to promote their respective debut albums on the Magnet label. This was a v

The Tour That Hit NME Teazers Published in the UK on January 17, 1974, New Musical Express’s one-page article “Bowie UK Dates” detailed David Bowie’s upcoming tour plans and the latest news surrounding his career. The piece confirmed the continuation of all scheduled European and English dates (April–May) despite Bowie’s recent termination of business dealings with lawyer/adviser Michael Lippman. It announced rehearsals in Jamaica at Keith Richards’ house (with Keith absent),

Bowie's Lippman Management Break Published in the UK on January 17, 1974, Melody Maker’s one-page article “Bowie In Surprise Split” announced David Bowie’s sudden parting with his lawyer/manager Michael Lippman. In a brief statement issued by Bowie’s public relations firm on Thursday, Bowie confirmed Lippman no longer represented him in any capacity. Inquiries about business matters were to be directed to Patrick Gibbons, a longtime Bowie associate who had previously worked f

Bowie's Cover Album US Push Published in the US on January 17, 1974, Rolling Stone’s one-page advert promoted David Bowie’s Pinups — his seventh studio album, a collection of covers of his favourite 1960s songs. The ad highlighted the album’s nostalgic glam-rock take on tracks by The Pretty Things, The Kinks, The Who, Them, Pink Floyd, The Yardbirds, The Easybeats, and more, positioning it as a bold celebration of British rock history during Bowie’s peak Ziggy-era fame. Adver

A Melody Maker Tour & Album Tease Published in the UK on January 13, 1974, Melody Maker’s one-page article “Bowie Returns to America” announced David Bowie’s second US tour in the Spring with his newly expanded Spiders from Mars line-up. The piece also revealed plans for at least two albums that year, including one recorded live from concerts on his first American tour in 1973. A key early 1974 Bowie press moment during the Ziggy Stardust era wind-down. Article Overview Publi