From Major Tom to the Berlin exile David Bowie never stood still. Six decades of reinvention – folk dreamer, glam alien, plastic soul man, Thin White Duke, Berlin minimalist, 80s pop titan, and elder statesman of art-rock. This ever-growing archive collects every UK studio album, live album, compilation, and single – plus adverts, reviews, features, and chart entries from the original music papers. Swipe or scroll for the full timeline (new entries added regularly). Studio A

Released in 1987, Raise Your Fist and Yell pushed Cooper’s mid‑’80s comeback into even heavier, more aggressive territory — a snarling fusion of metal theatrics, horror‑cinema excess, and razor‑edged production. The album sharpened the darker tone introduced on Constrictor, delivering high‑velocity riffs, blood‑spattered stage imagery, and a renewed sense of menace. A defining chapter of his late‑’80s renaissance, it cemented Cooper’s place in the era’s metal landscape with u

Format: LP • Vinyl • Album • Cassette • 8‑Track Cartridge • Promo Editions • International Variants Label: T. Rex — BLN 5001 • 1E 062 ◦ 93596 Country: UK Release Date: 21 July 1972 Genre: Glam Rock • Power Pop Style: Peak‑era T. Rextasy studio album with heavy, string‑laden glam and acoustic ballads Overview “The Slider is the seventh studio album by English rock band T. Rex, and the third since abbreviating their name from Tyrannosaurus Rex.” “It was released on 21 July 1972

📰 T. Rex – Bolan Boogie Format: LP • Vinyl • Compilation Label: Fly Records — HIFLY 8 Country: UK Release Date: 5 May 1972 Genre: Glam Rock • Psychedelic Folk Style: Singles, B‑sides & early album cuts from 1969–71 Overview Released at the height of T. Rextasy in spring 1972, Bolan Boogie was Fly Records’ strategic compilation issued shortly after Marc Bolan left the label to form EMI/T. Rex Wax Co. Fly assembled a powerful set of A‑sides, B‑sides, and key album tracks s

A vanished broadcast reconstructed through fragments — a reminder of how much of Britain’s pop‑television heritage survives only through private recordings and memory

David Bowie’s second studio album marked a dramatic shift from the music‑hall stylings of his 1967 debut into a more mature blend of folk rock, psychedelic textures, and introspective songwriting. Recorded at Trident Studios between June and October 1969, the album captured Bowie at a moment of artistic reinvention, shaped by new collaborators, new influences, and the breakthrough success of “Space Oddity.” Released on 14 November 1969 by Philips (SBL 7912), the album marked