In early 1968, Tony Visconti walked into Middle Earth and saw a duo unlike anything he had encountered in London’s psychedelic underground. Marc Bolan and Steve Peregrin Took sat cross‑legged on the floor, weaving strange, hypnotic songs over hand‑drummed rhythms. That night, Visconti approached Bolan, offered his card, and unknowingly set the stage for one of the most important producer‑artist relationships of the era