Published February 23, 1974, this issue of New Musical Express reflects a music scene in transition: established giants plotting major tours, art‑rock innovators gaining momentum, and the aftershocks of glam still shaping the charts.

A candid four-page Circus Raves feature reflecting on the internal tensions within The Faces, the departure of Ronnie Lane, and the bittersweet final chapter of the band at the peak of their powers with the album *Overtures And Beginnings*. The Faces face the end — a reflective look at the cracks appearing in one of Britain’s favourite rock ‘n’ roll bands. Circus Raves Date: January 1, 1974 Length: 8 min read 📰 Key Highlights • Examination of the growing tensions and d

A warm, in-depth one-page Sounds feature on Mott The Hoople’s drummer Buffin (Dale “Buffin” Griffin), celebrating his enduring enthusiasm for the band and rock ‘n’ roll despite years of hard touring and industry challenges. Buffin — the steady heartbeat of Mott The Hoople — remains as passionate as ever. Sounds Date: November 17, 1973 Length: 5 min read 📰 Key Highlights • Profile of Mott The Hoople drummer Buffin and his unwavering enthusiasm • Reflection on the band’

A warm two-page Sounds feature on Ronnie Lane leaving The Faces to launch his own solo career and new band, reflecting on his time with the group and his desire for fresh musical adventures. The Faces’ beloved bassist trades the big stage for personal freedom and a new musical chapter. Sounds Date: November 17, 1973 Length: 6 min read 📰 Key Highlights • Ronnie Lane announces his departure from The Faces • Plans for a solo career and new band • Reflection on his years

A bold half-page Record Mirror advertisement announcing the debut maxi-single from Ronnie Lane and Slim Chance, showcasing the lead track “How Come?” alongside “Tell Everyone” and “Done This One Before”. Ronnie Lane steps out with his new band — the former Face launches his solo era with a special three-track maxi-single. Record Mirror Date: November 17, 1973 Length: 2 min read 📰 Key Highlights • Debut maxi-single release from Ronnie Lane & Slim Chance • Lead track “H

A major feature in Record & Radio Mirror on Ronnie Lane’s new solo adventures after leaving The Faces, including his ambitious plans for a rock ‘n’ roll circus and his fresh creative outlook. Ronnie Lane takes the circus on the road — the former Face brings rock ‘n’ roll spectacle to the people. Record & Radio Mirror Date: November 17, 1973 Length: 6 min read 📰 Key Highlights • Ronnie Lane discusses leaving The Faces and launching his solo career • Plans for a travell

A candid Beat Instrumental magazine cover and feature in which Mott The Hoople openly discuss the challenges of competing with the visual spectacle of glam rock, while affirming their commitment to raw, honest rock ‘n’ roll. Mott The Hoople refuse to chase the glitter — the band speaks out on image, competition, and staying true to their sound. Beat Instrumental Date: September 1, 1973 Length: 4 min read 📰 Key Highlights • Mott The Hoople’s frank admission that they “c

A gritty, clear‑eyed NME profile tracing Alex Harvey’s long, winding path back into the British rock scene — a veteran musician at 37, returning with a new band, a renewed sense of purpose and a lifetime of hard‑earned experience behind him. New Musical Express Date: October 14, 1972 Format: One‑page article A moment of revival, resilience and late‑flowering recognition. 📰 Key Highlights • Alex Harvey’s return to prominence after years on the margins • Reflections on his e

A lively 1972 entertainment page feature highlighted The Move as they continued their dynamic live performances during a busy period in their career. Published on Saturday, 29 April 1972 in The Evening Post, this article captured the band’s ongoing activity on the UK live circuit. 📰 Publication Details Publication: The Evening Post Date: Saturday, 29 April 1972 Country: United Kingdom Section / Page: Page 25 (Stage / Entertainment) Format: News Item / Stage Feature 📰 What t