A warm, reflective snapshot of Ronnie Lane at a crossroads — stepping away from the Faces’ chaos and into a quieter, self‑directed world of music, family, and travelling circus dreams. 📰 Publication Details Publication: Circus Date: April 1974 Country: United States Section / Page: News Piece Format: Article 📰 What the Clipping Shows The article appears under the headline “Ronnie Lane Prepares For Circus”, presented in a clean, column‑based layout. A black‑and‑white port

A candid Circus Magazine feature examining the unconventional marriage of David and Angie Bowie, portraying their relationship as a unique “family business” centred entirely around David’s artistic career and public image. Behind the glam: David and Angie Bowie as rock’s most stylish and enigmatic couple. Circus Magazine Date: February 1, 1974 Length: 4 min read 📰 Key Highlights • In-depth look at the Bowie marriage as a creative partnership • Angie’s role as muse, su

Circus Magazine Date: January 1, 1974 Length: 3 min read A lively one-page snapshot of Elton John’s non-stop 1974 lifestyle — shopping sprees, star-studded parties, and relentless globe-trotting. Peak early-70s Elton: glamorous, extravagant, and seemingly everywhere at once. 📰 Key Highlights • Elton John spotted shopping in New York’s Greenwich Village • Buying records, magazines, and cassettes everywhere he goes • Private midnight supper after a Rod Stewart concert

A stylish 1974 Circus Magazine feature examining David Bowie’s influence on style, symbolism, and musical nostalgia through his covers album *Pin Ups*. Bowie as the ultimate glam-era tastemaker, bridging 1960s Mod culture with 1970s glitter. Circus Magazine Date: January 1, 1974 Length: 3 min read 📰 Key Highlights • Analysis of the arrow symbol on the cover of Bowie’s *Pin Ups* album • Connection between 1960s Mod graffiti and 1970s neo-Mod style • Discussion of Bowi

A dynamic Circus magazine feature celebrating David Bowie’s chart dominance in Britain, where his latest single and album have pushed aside even the mighty Beatles, while also covering his return to the UK, new collaborations, and the intense energy of his live shows. Bowie storms the British charts — the Starman knocks the Beatles off their perch and keeps the glam juggernaut rolling. Circus Date: September 1, 1973 Length: 5 min read 📰 Key Highlights • David Bowie’s l

A colourful, surreal one-page feature in Circus magazine recounts the infamous meeting between Roxy Music and Salvador Dalí in Paris, where the band hoped for artistic inspiration but ended up with a chaotic, disappointing encounter. The piece blends dry humour with vivid description of the eccentric evening, including a drunken Lloyd Watson climbing out onto a ledge. This August 1, 1973 Circus article captures Roxy Music at the height of their early art-rock mystique, playfu

Circus emphasises the band’s growing commercial clout, noting how their once‑controversial theatrics had become a mainstream draw. The article positions *Billion Dollar Babies* as the moment when Cooper’s shock‑rock vision fully “came of age,” both artistically and financially.

A bright, celebratory Circus cover capturing Elton John at his most charismatic — champagne in hand, stage lights glowing, and his name woven through the magazine’s star‑studded headlines. 📰 Publication Details Publication: Circus Date: April 1973 Country: United States Section / Page: Front Cover Format: Cover Feature 📰 What the Clipping Shows The Circus masthead appears in large, colourful block lettering, framing a close‑up photograph of Elton John smiling with a glas

A vivid, style‑drunk Circus profile presenting Roxy Music as Britain’s most original new force — a glitter‑clad collision of ’50s greaser attitude, futuristic electronics and art‑school intelligence, rising so fast they’re already threatening the established glam elite. Circus Magazine Date: February 1, 1973 Format: One‑page article A moment of cosmic glamour, avant‑rock invention and instant cult ascendancy. 📰 Key Highlights • Roxy Music framed as a fusion of ’50s rock ’n’

A feisty one-page feature in Circus Magazine finds Marc Bolan back in London after a disappointing first American tour, angrily denying rumours of his “death” and dismissing the hype surrounding him and David Bowie. Bolan is pictured in full glam regalia, guitar in hand, looking defiant and very much alive. This February 1, 1973 Circus article captures Marc Bolan at a vulnerable yet combative moment — the first crack in T. Rextasy’s seemingly unstoppable momentum, as the real