Released in the UK on April 2, 1976, Alvin Stardust’s “It’s Better To Be Cruel Than Be Kind,” backed with “Here I Go Again,” appeared as a 7-inch vinyl single on Magnet Records (MAG 62). Written by Geoff Stephens and Roger Greenaway, and produced by Greenaway with arrangements by John Fiddy, the A-side was taken from Alvin’s 1975 album *Rock with Alvin*, which entered the UK Albums Chart on October 4, 1975, peaking at No. 52 during a brief two‑week run. Despite strong pedigre

A colourful 1976 Wizzard single whose lack of BBC airplay led to the cancellation of an entire album.

Released in the UK on January 31, 1975, Steve Harley & Cockney Rebel’s “Make Me Smile (Come Up And See Me),” backed with “Another Journey,” appeared as a 7-inch vinyl single on EMI Records (EMI 2263). Written by Steve Harley and produced by Harley with Alan Parsons, the track became the band’s signature hit — a sophisticated glam‑pop anthem built on acoustic flourishes, sharp lyrical bite, and Harley’s distinctive vocal phrasing. Entering the UK Singles Chart on February 8, 1

Released in the UK on January 10, 1975, The Glitter Band’s “Goodbye My Love,” backed with “Got To Get Ready For Love,” appeared as a 7-inch vinyl single on Bell Records (BELL 1391). Written by band members and produced within the Bell Records glam-pop framework, the track showcased the group’s shift toward a more melodic, emotional sound while retaining their signature stomping glam rhythm. Entering the Official Singles Chart on January 18, 1975, it climbed to No. 2 and remai

Released in the UK on January 10, 1975, Sparks’ “Something For The Girl With Everything,” backed with “Marry Me,” appeared as a 7-inch vinyl single on Island Records (WIP 6221). Written by Ron Mael and produced by Muff Winwood, the track delivered Sparks’ trademark blend of hyperactive glam‑pop, theatrical vocals, and razor‑sharp wit. Its frenetic tempo, staccato keyboard lines, and Russell Mael’s operatic delivery made it one of the standout singles from the *Propaganda* era

A candid 1974 Disc feature exploring David Essex’s massive fan hysteria, his struggle to maintain a private life, and the realities of sudden superstardom. Britain’s biggest teen idol trying to balance screaming fans with a normal existence. Disc Date: December 28, 1974 Length: 4 min read 📰 Key Highlights • David Essex discusses the intense “Essex-mania” sweeping Britain • Stories of fans camping outside hotels and invading his privacy • Essex’s attempts to live norm

Alvin Stardust’s 1974 self‑titled album peaked at No. 37 on December 21, 1974, spending 3 weeks on the Official Albums Chart.

Released in the UK on November 29, 1974, David Essex’s “Stardust,” backed with “Miss Sweetness,” appeared as a 7-inch vinyl single on CBS Records (S CBS 2828 / 2828). Written by Essex and produced, arranged, and orchestrated by Jeff Wayne for Jeff Wayne Music, the track served as the theme for the film *Stardust*, the sequel to *That’ll Be the Day*. A shimmering glam‑pop ballad with cinematic sweep, it entered the UK Singles Chart on November 30, 1974, eventually peaking at N

A dramatic, velvet‑voiced slice of mid‑’70s glam‑pop, “Tell Me Why” finds Alvin Stardust blending theatrical melancholy with the polished Magnet Records sound that defined his chart‑topping run. Released on November 15, 1974, “Tell Me Why” arrived as Alvin Stardust’s follow‑up to a string of major UK hits, including “My Coo Ca Choo,” “Jealous Mind,” and “You You You.” Issued by Magnet Records under catalogue number MAG 19, the single continued Stardust’s signature blend of br

A bright, bouncy burst of glam‑pop energy, “Tell Him” delivered Hello their breakthrough moment with a stomping beat, youthful vocals, and an irresistible sing‑along hook. Released on August 30, 1974, “Tell Him” marked Hello’s first major chart success after several years of near misses on Bell Records. Written by Bert Berns (under the pseudonym Bert Russell), the song was originally titled “Tell Her” and first recorded in 1962, but Hello’s glam‑pop reinvention transformed it