A late‑80s Iggy Pop single that bridged cinema, alternative radio, and the final glow of the post‑punk era — charting modestly in the UK while making a stronger impact on the US Alternative Airplay chart.

Released on April 7 1978, “I Got A Right” arrived as part of RCA’s final contractual sweep with Iggy Pop, drawing material from the live album *TV Eye Live 1977*. The single paired the ferocious A‑side with “Sixteen,” both taken from performances recorded across multiple US cities in 1977. Although assembled quickly and cheaply from soundboard tapes, the album and its associated singles captured Iggy at his most volatile and electrifying, backed by a band that included David

A chaotic, tabloid‑toned one‑page spread from *Circus Raves*, documenting the latest New York Dolls and Iggy Pop misadventures in Hollywood — glitter, blood, and bans all included. Circus Raves Date: December 1, 1974 Format: One‑page advertorial feature A moment of glam‑punk implosion, tabloid spectacle, and weekly drama escalation. 📰 Key Highlights • New York Dolls’ Roxy Theatre residency cancelled due to lateness and chaos • Iggy Pop self‑mutilates on stage at Rodney B

A raw, unflinching one-page Music Scene feature on Iggy Pop, portraying him as rock’s most unpredictable and extreme performer — a “monster” whose wild stage antics and self-destructive energy set him apart from his contemporaries. Iggy Pop: the primal force of rock ‘n’ roll who thrives on chaos, violence, and total abandon. Music Scene Date: February 1, 1974 Length: 5 min read 📰 Key Highlights • Candid portrait of Iggy Pop as rock’s ultimate extreme figure • Vivid de

A provocative one-page Rock Scene column by Lisa Robinson exploring the wild intersection of fashion, gender, and rock ‘n’ roll exhibitionism in the early 1970s, with a strong focus on Iggy Pop’s bare-chested, boundary-pushing stage antics and the broader glam-era trend of outrageous stagewear. Iggy Pop strips it down — raw, reckless, and redefining what a rock star can wear (or not wear). Rock Scene Date: December 1, 1973 Length: 5 min read 📰 Key Highlights • Iggy Pop

A second framing excerpt emphasising the article’s core theme: three underground innovators — Bowie, Pop, and Reed — captured at a moment when their creative paths briefly converged, shaping the future of glam, punk, and art‑rock.