In March 1977, RCA reframed Bowie’s first decade as a gallery of televised identities — twelve albums, twelve personas, one artist in perpetual motion.

In March 1977, Bowie slipped into New York’s Ocean Club with Iggy Pop — a quiet, electric night where Low, Berlin, and the city’s underground collided.

A critic reassesses Bowie’s artistry through the lens of “Sound and Vision,” praising his restraint, structure and emotional clarity while questioning why his brilliance has taken so long to be universally acknowledged.

A minimalist NME advert from February 19, 1977 promoting Bowie’s single “Sound & Vision,” capturing the cool, detached aesthetic of his Berlin period.