A pirate‑radio legacy meets glam‑rock rebellion — Bowie’s “Rebel Rebel” becomes a Dutch pop‑culture landmark.

A skeleton suit, a satanic ritual, and a rock star out of his element — Alice Cooper’s cameo is a perfect snapshot of early‑’70s pop‑culture surrealism.

A leather‑clad bass player with a voice like a whipcrack — Suzi Quatro’s rise was fast, loud, and impossible to ignore.

Marc Bolan & T. Rex’s Zinc Alloy (1974) — a glam‑funk experiment that pushed Bolan into bold new territory.

Elton John’s “Candle in the Wind,” released on February 22, 1974, peaked at No. 11 in the UK and was paired with “Bennie and the Jets” as its B‑side.

Released in January 1974, Alice Cooper’s Teenage Lament ’74 peaked at No. 12 in the UK and stands as a theatrical glam‑rock highlight from the Muscle of Love era.

Released in February 1974, David Bowie’s Rebel Rebel became a glam‑rock anthem and a defining moment in his transition toward the Diamond Dogs era. David Bowie’s "Rebel Rebel" backed with "Queen Bitch", was released as a 7-inch vinyl single in the UK by RCA Records (catalog number RCA LPBO 5009) on February 15, 1974, as the lead single from his album Diamond Dogs. Written and produced by Bowie, the song features a memorable guitar riff that evokes the style of the Rolling St

Slade’s Old New Borrowed And Blue arrived on February 15, 1974, debuting at No. 1 on the UK Albums Chart. Produced by Chas Chandler, the album blends classic Slade stompers with piano‑driven singles that marked a shift in the band’s sound.

A guillotine, a beer can, a theatre full of empty seats — and a band preparing to conquer the world with a show too outrageous to ignore.

A white‑clad tableau of decadence and danger — Billion Dollar Babies arrives not as a record, but as a theatrical declaration of rock‑and‑roll excess.