A full-page Melody Maker advertisement announcing Brian Eno’s debut solo album and supporting UK tour. Eno – Here Come The Warm Jets. Melody Maker Date: February 2, 1974 Length: 4 min read 📰 Key Highlights • Large, bold 3D-style “ENO” logo • Announcement of Eno’s first solo album *Here Come The Warm Jets*, released February 7, 1974 • Guest artistes: The Winkies • Support act: Rod Crisp • Full list of February and March 1974 UK tour dates from Derby to London’s Drur

Published on January 31, 1974, this *Music Scene* article explores Roxy Music during a transitional phase. While the band continued to draw intense loyalty from their growing fanbase on the road, critics remained reserved, creating an interesting tension around one of glam rock’s most stylish and artistic acts.

A vibrant one-page Popswop feature celebrating Roxy Music’s third album *Stranded* and profiling the individual members of the band during their rise as one of Britain’s most stylish and innovative glam/art-rock acts. Roxy Music — elegant, eccentric, and firmly at the top of the British rock scene. Popswop Date: January 26, 1974 Length: 5 min read 📰 Key Highlights • Focus on Roxy Music’s album *Stranded* and its success • Individual profiles of Bryan Ferry (vocals), P

A full-page Island Records advertisement promoting Roxy Music’s album *Stranded* and the new single “Street Life”. Roxy Music ‘Stranded’ ILPS 9252 — A new single “Street Life” WIP 6173. Sounds Date: November 17, 1973 Length: 3 min read 📰 Key Highlights • Dramatic black-and-white image of a woman lying in dense jungle foliage • Bold red-and-white “ROXY MUSIC ‘STRANDED’” headline • Catalogue number ILPS 9252 for the album • Announcement of the new single “Street Life”

A sharp one-page news report in Record Mirror details the fan backlash after Roxy Music failed to appear at a scheduled Bristol gig, while the Faces and other acts also faced tour-related frustrations. The piece captures the growing tension between rising glam and rock bands and their increasingly demanding live schedules in late 1973. This November 17, 1973 Record Mirror feature reflects the chaotic reality behind the glamorous façade of the 1973 British tour circuit. 🗞 Rec

A packed one-page Disc news round-up featuring David Bowie’s plans to star in a musical version of George Orwell’s *1984*, T. Rex’s latest studio activity with Marc Bolan, and other breaking stories from the UK rock scene in late 1973. Bowie eyes the future — the Starman takes on Orwell while Bolan keeps on truckin’. Disc Date: October 27, 1973 Length: 4 min read 📰 Key Highlights • David Bowie to star in a stage musical adaptation of *1984* • Bowie currently writing t

A full-page Melody Maker thank-you advertisement from Roxy Music celebrating their strong showing in the 1973 readers’ pop poll. Roxy Music wish to thank all readers of the Melody Maker who voted them into ten places in this year’s pop poll. Melody Maker Date: October 13, 1973 Length: 3 min read 📰 Key Highlights • Large, bold “ROXY MUSIC” headline in distinctive brush-stroke lettering • Detailed list of the band’s poll positions in both British and International secti

Released: September 1976 (UK) Catalogue Number: Island Records ILPS 9367 Bryan Ferry’s suave, sharp‑edged third solo album — a stylish fusion of R&B covers, re‑imagined Roxy Music tracks, and his signature crooner glamour. Released in September 1976 during Roxy Music’s post‑Siren hiatus, Let’s Stick Together marked Ferry’s return to solo work following These Foolish Things (1973) and Another Time, Another Place (1974). The album blends re‑recorded Roxy material, American R&B

A colourful, surreal one-page feature in Circus magazine recounts the infamous meeting between Roxy Music and Salvador Dalí in Paris, where the band hoped for artistic inspiration but ended up with a chaotic, disappointing encounter. The piece blends dry humour with vivid description of the eccentric evening, including a drunken Lloyd Watson climbing out onto a ledge. This August 1, 1973 Circus article captures Roxy Music at the height of their early art-rock mystique, playfu

A dense, electric burst of early‑’70s music journalism: sharp monochrome photography, bold NME typography, and two pages of intellectual, provocative commentary on Roxy Music’s rise, philosophy, and artistic intent. The tone is urgent, stylish, and unmistakably 1973. 📰 Publication Details Publication: New Musical Express (NME) Date: April 28, 1973 Country: United Kingdom Section / Page: Two‑Page Feature / Page 33 (visible) Format: Feature Article Provenance Notes: Verified b