A once‑in‑a‑lifetime chance to hear Alice Cooper tell the truth behind the rumours, the reinventions, and the sixty‑year battle between Vincent Furnier and the monster he created.

A career‑spanning anthology capturing the full evolution of Alice Cooper’s shock‑rock legacy.

Alice Cooper’s 1979 resurgence wasn’t just a comeback — it was a reclamation of identity, artistry, and theatrical power.

A candid, unguarded Alice Cooper reflects on addiction, recovery, theatricality, and the myths that shaped his public image — presented across a cover and three‑page spread in Joepie, February 18, 1979.

A single page of print, but a universe of theatrical ambition — Alice Cooper’s nightmare spilled from vinyl onto the British music press with cinematic flair.

Alice Cooper’s Welcome to My Nightmare (1975) — a landmark solo concept album blending rock, theatre, and cinematic horror.

A guillotine, a beer can, a theatre full of empty seats — and a band preparing to conquer the world with a show too outrageous to ignore.

A white‑clad tableau of decadence and danger — Billion Dollar Babies arrives not as a record, but as a theatrical declaration of rock‑and‑roll excess.

A front‑page snapshot of Alice Cooper at their theatrical peak — a band preparing for a record‑breaking tour while navigating illness, pressure, and the release of Billion Dollar Babies.

A horror‑themed glam spectacle wrapped in snakeskin packaging, Billion Dollar Babies is praised for its orchestration, theatricality, and taboo‑breaking lyrics.