This New Musical Express feature from September 9 1978 continues the publication’s in‑depth retrospective on David Bowie’s career, subtitled “Part Two: TVC15.” Written by Charles Shaar Murray and Roy Carr, it offers a detailed critical overview of Bowie’s mid‑1970s output, examining his evolution from glam icon to avant‑garde innovator. Publication: New Musical Express Date: September 9, 1978 Country: United KingdomThe article forms part of NME’s multi‑page “Consumer’s Guid

A multi‑page New Musical Express consumer guide offering a detailed, authoritative overview of David Bowie’s back catalogue as of 1978, with the first instalment focusing on the Pin Ups era.

A full-page New Musical Express advertisement announcing David Bowie’s forthcoming live double album Stage, produced by Bowie and Tony Visconti. The advert carried the bold “AVAILABLE SOON!”

The 5 August 1978 issue of New Musical Express features a full-page advertisement for David Bowie’s live double album Stage. Publication: New Musical Express Date: August 5, 1978 Country: United Kingdom The advert shows a large photograph of David Bowie in a white naval-style uniform and peaked cap, fist raised. The headline reads “STAGE” with the quote “‘All the world’s a stage… And one man in his time plays many parts’.” A track listing is provided, including Hang On To You

A full-page Melody Maker advertisement promoting the upcoming release of David Bowie’s live double album Stage, published on July 22, 1978.

Article Context & Main Highlights Key Content Publication: Bravo Date: July 16, 1978 Country: Germany Full-page feature on the British glam rock band Sweet with individual member profiles. Detailed profiles of the four members: Brian Connolly, Steve Priest, Andy Scott, and Mick Tucker, including birth dates, heights, hair/eye colour, and personal information (marriages, children). The page features a classic group photo of the band in their late-1970s line-up. Notable Details

The advert highlights the inclusion of lavish colour and monotone action photographs from Bowie’s recent American tour, offering fans a rare visual record of his late‑1970s stage presence.

A thoughtful and in-depth Melody Maker concert review by Michael Watts reflecting on David Bowie’s highly anticipated British tour, focusing on his powerful performance at London’s Earl’s Court and the overall impact of his evolving stage show during the late 1970s. THE STORY WHAT THE CLIPPING SHOWS Publication: Melody Maker Date: July 9, 1978 Country: United Kingdom Section: Concert Review / Tour Reflection Michael Watts provides a detailed reflection on David Bowie’s Britis

A detailed and thoughtful New Musical Express concert review of David Bowie’s performance at London’s Earl’s Court in 1978, offering an in-depth assessment of his powerful stage presence, the strength of his current band, and the evolving sound of his late-1970s era following the success of albums like Low and Heroes. Publication: New Musical Express (NME) Date: July 8, 1978 Country: United Kingdom Section: Concert Review / Live Feature THE STORY WHAT THE CLIPPING SHOWS Nick

The advert features a warm, engaging live photograph of David Bowie smiling in a white sailor-style cap, microphone in hand, presenting him as charismatic, approachable and firmly in command of his late-1970s stage persona.