A striking full-page Polydor Records advertisement promoting Slade’s new album *Slayed?*. New Album — *Slayed?* — also available on musicassette. Circus Magazine / UK music press Date: January 1, 1973 Length: 3 min read 📰 Key Highlights • Bold colour group photograph of Slade in casual, streetwise poses against a brick wall • Prominent inset of the *Slayed?* album cover showing the band in full glam mode • Clear “NEW ALBUM” announcement with Polydor logo • Emphasis

A 1972 Record Mirror news page announcing Slade’s invitation to represent Britain in a major European music event, alongside other key stories from the week. Slade flying the flag for Britain at the height of their glam rock dominance. Record Mirror Date: December 9, 1972 Length: 4 min read 📰 Key Highlights • Slade selected to represent Britain in a major European concert • “Dusty croaks on to Broadway” – Dusty Springfield news • ROLL OVER Beethoven – various artist

Released in the UK in November 1972 (street date December 1, 1972), on Polydor Records (catalogue: 2383 163), Slade’s Slayed? was their third studio album and glam-rock masterpiece. Produced by Chas Chandler for Barn Productions at Olympic Studios, this 10-track assault — featuring “Gudbuy T’Jane,” “Mama Weer All Crazee Now,” and “The Whole World’s Goin’ Crazee” — stormed to No. 1 on the UK Albums Chart for 3 weeks, staying Top 75 for 34 weeks. Issued in gatefold sleeve, cass

A lively and affectionate review captures the raucous energy of Slade’s concert at London’s Rainbow Theatre, where Noddy Holder and the band turned the venue into a football-terrace-style singalong. The writer contrasts the controlled chaos of Slade’s performance with the more polished Osmonds show seen the previous week, clearly enjoying the raw, crowd-pleasing power of the Wolverhampton glam rockers. This November 1972 review perfectly encapsulates Slade at their peak — a b

A high-energy concert review celebrates Slade’s raucous performance at the Royal Exchange in Wolverhampton, where the band turned the venue into a football-terrace-style singalong filled with stomping hits and pure party atmosphere. The writer describes the crowd’s frenzied response, Noddy Holder’s larger-than-life showmanship, and the band’s ability to create an unforgettable night of glam rock mayhem. This November 1972 Disc review captures Slade at their most entertaining

A candid and revealing interview with Slade drummer Don Powell recounts the band’s turbulent first major American tour, blending excitement, culture shock, and the harsh realities of breaking into the US market. The piece captures the contrast between Slade’s UK dominance and the challenges they faced on the road in America. This November 1972 NME feature offers a rare behind-the-scenes glimpse into the glam rock explosion as it attempted to cross the Atlantic. 🗞 New Musical

A bright, fan-oriented cover of Disco 45 magazine promotes Slade merchandise (T-shirts, vests, and pillow cases) while featuring the band as one of the hottest acts of 1972, alongside a full lyric sheet for their hit “Mama Weer All Crazee Now.” The design is packed with the playful, high-energy spirit of glam, positioning Slade as must-have idols for young readers who wanted to wear, sleep on, and sing along with their favourite stomping anthems. This October 20, 1972 Disco 4

A warm, in-depth profile of Slade’s manager and driver Chas Chandler paints a vivid picture of the man behind one of Britain’s biggest glam bands, blending business savvy with genuine affection for the group. The article explores Chandler’s journey from The Animals to guiding Slade’s meteoric rise, highlighting his role as both manager and father figure. This October 1972 Melody Maker feature captures Slade at the height of their early success while giving rare insight into t

A straightforward yet enthusiastic preview of Slade’s upcoming live dates captures the band’s unstoppable momentum and their ability to turn every gig into a raucous celebration. The piece highlights the sheer energy and crowd-pleasing power that made Slade one of the most exciting live acts of the glam era. This October 1972 NME feature reflects the growing excitement around Slade as they consolidated their position as glam rock’s premier party band. 🗞 New Musical Express

A lively one-page interview with Slade bassist Jimmy Lea (conducted by Robin Mackie) looks back at the band’s rapid rise, their skinhead-to-glam transformation, and the mixture of fear and excitement they provoked in the music industry and among audiences. Jimmy speaks candidly about the early days, the band’s determination, and how their raw energy and working-class attitude made them both loved and feared. This September 23, 1972 Record Mirror feature captures Slade at the