Suzi Quatro (born Susan Kay Quatro, June 3, 1950) is an American singer, bassist, songwriter, and actress. A pioneering female rock star, she rose to fame in the 1970s as one of the leading figures of glam rock. Known for her leather jumpsuits, powerful bass playing, and fiery stage presence, Suzi Quatro broke barriers as a woman fronting a hard-rocking band in a male-dominated industry. EARLY LIFE & MUSICAL BEGINNINGS Born in Detroit, Michigan, into a musical family, Suzi be

Suzi Quatro’s 1990 compilation The Wild One – The Greatest Hits, released in Australia on June 11, 1990, gathers her biggest glam and rock anthems from the 1970s, showcasing her pioneering role as a female rock star with hits like “Can The Can,” “48 Crash,” and “Devil Gate Drive.” Artist: Suzi Quatro Title: The Wild One The Greatest Hits Date: June 11, 1990 (Australia) Label: EMI Format / Type: CD Album (Compilation) Country: Australia / International Catalogue: CDP 7 93986 2

A punchy glam rock track from Suzi Quatro, “The Race Is On” continued her strong run of energetic singles in the late 1970s. THE RELEASE WHAT THE LABEL SHOWS Label: RAK Format: 7" Vinyl Single Country: UK Catalogue: RAK 278 Release Date: June 30, 1978 Upbeat, driving glam rock single produced by Mike Chapman. Blue/green sailing ship design on RAK labels. A-side “THE RACE IS ON” (N. Chinn – M. Chapman). B-side “NON CITIZEN” (Quatro – Tuckey). Demo copies marked “DEMO RECORD N

Suzi Quatro’s explosive double live album Live And Kickin', recorded during her 1977 Japan tour and released as a high-energy document of her powerful rock ’n’ roll stage presence. RELEASE / PUBLICATION DETAILS Artist: Suzi Quatro Title: Live And Kickin' Date: 1977 Label: RAK Records Format / Type: Live Album (Double LP) Country: Japan Catalogue: ERS-50009/10 TRACK LIST Side One The Wild One The Honky Tonk Downstairs Heartbreak Hotel Half As Much As Me Side Two Cat Size Make

In June 1976, Suzi Quatro released the high-energy single “Tear Me Apart” in Japan, a classic Chinn/Chapman glam-rocker backed with the rocking “Close Enough To Rock 'n' Roll”. RELEASE DETAILS Artist: Suzi Quatro Label: RAK Date: June 5, 1976 Catalogue: ERR-20012 Format: 7" Vinyl Single Country: Japan Genre: Glam Rock, Rock Style: Female Rock, Glam Rock A-Side: “Tear Me Apart” Written by: Nicky Chinn / Mike Chapman Produced by: Mike Chapman & Nicky Chinn B-Side: “Close Enough

This Tiffany Magazine two‑page feature from May 1975 captures Suzi Quatro at the height of her European fame. The article, written in Swedish, reflects on her unusual career trajectory — from early struggles in England to her growing popularity in Germany and Sweden.

A high-energy glam rock stomper, “Too Big” was Suzi Quatro’s fourth UK hit single. Released during the peak of her glam era, the track showcased her powerful vocals, leather-clad image, and commanding stage presence. Advert on Record Mirror (June 22nd, 1974) RELEASE DETAILS Artist: Suzi Quatro Label: RAK Date: June 21, 1974 Catalogue: RAK 175 Format: 7" Vinyl Single Country: UK A-Side: “Too Big” Written by: Nicky Chinn, Mike Chapman Produced by: Mike Chapman, Nicky Chinn B-Si

A charming full-page portrait from Music Star magazine dated May 25, 1974, featuring the popular singer known as Suzi Quatro. SOURCE DETAILS Publication: Music Star Date: May 25, 1974 Country: United Kingdom Section / Pages: Pull-Out Poster / Feature THE STORY This warm and friendly portrait shows Suzi with a bright, engaging smile, wearing a grey turtleneck sweater and a delicate gold chain. The image captures the approachable, girl-next-door charm that made her a favourite

This Music Star cover from May 4 1974 captures the bright, playful energy of mid‑’70s teen‑pop culture. The issue features a smiling portrait of a young woman in close‑up, surrounded by bold, candy‑colored typography typical of the magazine’s exuberant design style.

This New Musical Express singles review page from July 1973 features Ian MacDonald’s critique of Suzi Quatro’s single “48 Crash,” headlined “A Lot of Noisy Nonsense.” The piece captures the sharp tone of early‑1970s British music journalism, where emerging glam‑rock acts were often met with both fascination and skepticism. Publication: New Musical Express Date: July 28 1973 Country: United Kingdom THE STORY The review opens with MacDonald’s assessment of Suzi Quatro’s “48