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📰 Buik Mackane's Accidental Broadcast: Mar. 1974

  • Writer: T.Rex
    T.Rex
  • Mar 17, 1974
  • 3 min read

Writer: Glam Slam Escape Archival Edition

Date: March 17, 1974

Length: ~4 min read


A lost Musikladen performance unexpectedly bursts onto British television, slipping into the end of an Osmonds special and giving viewers an unplanned hit of Bolan’s 1973 glam‑rock fire.



A glam‑rock broadcast glitch that became an instant cult moment.


Recorded on February 14, 1973 for Musikladen, T. Rex’s performance of “Buik Mackane” was never aired during the programme’s original February 21 broadcast. Instead, it resurfaced by accident more than a year later — on March 17, 1974 — when it unexpectedly played at the end of an Osmonds special, startling viewers and delighting fans who caught the moment live.


📰 Key Highlights

• “Buik Mackane” recorded for Musikladen on February 14, 1973

• Taped alongside “20th Century Boy”

• Not included in the February 21, 1973 broadcast

• Accidentally transmitted on March 17, 1974

• A rare, unplanned glimpse of Bolan in peak glam‑rock form


📰 Overview

In early 1973, Marc Bolan and T. Rex were still riding the aftershocks of their glam‑rock superstardom. Their Musikladen session captured the band at full voltage, recording both “20th Century Boy” and “Buik Mackane” in a single taping. Only the former made it to air in February 1973.


“Buik Mackane,” heavier, darker, and more sensual, remained unseen — until March 17, 1974, when it unexpectedly appeared on British television. The performance aired at the end of an Osmonds special, a moment of pure broadcast serendipity where Bolan’s glam‑rock swagger cut sharply against the wholesome pop programming that preceded it.


For fans, it became a legendary anomaly: a performance that wasn’t supposed to be shown, suddenly broadcast to millions.


📰 Source Details

Publication / Venue: Musikladen (Radio Bremen) / UK broadcast

Date: March 17, 1974

Format: Television Performance / Accidental Transmission

Provenance Notes:

• Recording date confirmed via Musikladen production logs

• Transmission date verified through broadcast listings and fan documentation

• Linked to the “20th Century Boy” session


📰 The Story

The February 14, 1973 Musikladen session was a classic Bolan moment: glitter, swagger, and a band locked into its signature groove. “Buik Mackane,” a standout from The Slider, showcased Bolan’s ability to fuse sensuality and menace into a single performance.


When the episode aired on February 21, 1973, only “20th Century Boy” was included. “Buik Mackane” was shelved — perhaps due to timing, perhaps due to editorial preference.


Then, more than a year later, on March 17, 1974, the performance suddenly appeared on British television. As the Osmonds special ended, the T. Rex clip rolled — a jolt of glam‑rock electricity in a space where no one expected it. Bolan, in full 1973 splendour, delivered a performance that felt like a broadcast from another planet.


The moment became a cult footnote in T. Rex history: a glam‑rock apparition, a glitch in the matrix, a reminder that Bolan’s star power could break through even when unintended.


📰 Visual Archive

A studio performance from early 1973 featuring Marc Bolan under bright Musikladen stage lighting, framed by the show’s distinctive camera style and set design.

T. Rex — “Buik Mackane,” recorded February 14, 1973; accidentally broadcast March 17, 1974.


📰 Related Material

• “20th Century Boy” (Musikladen, 1973)

• The Slider (1972)

• T. Rex Television Appearances, 1971–1974


📰 Closing Notes

The accidental broadcast of “Buik Mackane” stands as one of glam rock’s great broadcast oddities — a moment when Marc Bolan’s charisma slipped unexpectedly into mainstream television, reminding viewers that glam was unpredictable, electric, and always ready to steal the spotlight.


📰 Sources

• Musikladen production notes

• Contemporary broadcast listings

• Fan‑verified archival accounts


📝 Copyright Notice

All television footage and broadcast materials referenced remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





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