📰Cleveland – Gig Guide – Apr. 1974
- Mott The Hoople
- Apr 28, 1974
- 3 min read
A dense block of spring concert listings fills this late‑April entertainment page, capturing the energy of Cleveland’s live‑music circuit in 1974. The clipping radiates the atmosphere of a city buzzing with touring acts, student‑run events, and a packed calendar of rock, jazz, and progressive shows.
📅 Concert Dates & Artists (as listed)
Tonight — 8:00 P.M.
J. Geils Band
Other act to be announced
Venue: Memorial Gym — Kent State University
Tickets: $5.50 Reserved / $5.00 General Admission
Monday, April 29 — 7:30 P.M.
Genesis
Venue: Allen Theatre (East 14th & Euclid)
Tickets: $5.00 Advance / $5.00 Day of Show
All seats reserved
Saturday, May 4 — 7:30 P.M.
Mahavishnu Orchestra with John McLaughlin
Venue: Allen Theatre
Tickets: $5.00 Advance / $6.00 Day of Show
Wednesday, May 8 — 7:30 P.M.
James Taylor
Venue: Music Hall
Tickets: $6.00 Advance / $6.50 Day of Show
All seats reserved
Thursday, May 9 — 7:30 P.M.
Grand Funk
Venue: Public Hall
Tickets: $5.50 Advance / $6.00 Day of Show
All seats reserved
Friday, May 17 — 7:30 P.M.
Brian Auger
Silverhead
Venue: Allen Theatre
Tickets: $5.00 Advance / $6.00 Day of Show
All seats reserved
Saturday, May 18 — 8:00 P.M.
Procol Harum
Special Guest: Golden Earring
Venue: Woodling Gym — Cleveland State University
Tickets: $5.00 Advance / $6.00 Day of Show
General Admission
Saturday, May 25 — Two Shows
7:00 P.M. and 10:30 P.M.
Mott the Hoople
Very Special Guest: Queen
Venue: Allen Theatre
Tickets: $5.00 Advance / $6.00 Day of Show
All seats reserved
📰 Quotes from the Article
“Tickets on sale now.”
“All seats reserved.”
📰 What the Clipping Shows
The clipping is a full‑page concert advertisement titled “Belkin Productions Presents Cleveland.” At the top sits a stylised illustration framed by stars, followed by a vertical list of upcoming concerts. Each entry includes artist names, venues, dates, times, and ticket prices. The typography is bold, blocky, and unmistakably mid‑1970s, designed for maximum visibility on a busy newspaper page.
This clipping matters because it documents a snapshot of Cleveland’s live‑music landscape in April 1974, showing the range of touring acts and the prominence of Belkin Productions as a regional promoter.
📰 The Story Behind It
In late April 1974, The Akron Beacon Journal published this multi‑event concert guide showcasing Belkin Productions’ spring lineup. The listings reflect a thriving local scene, with university gyms, theatres, and public halls hosting a steady stream of national and international acts.
“Tickets on sale now.”
The guide highlights the collaborative nature of the era’s concert promotion, with several shows presented in cooperation with campus programming boards and student governments. This structure made major touring acts accessible to students and young audiences at affordable prices.
“All seats reserved.”
The clipping also captures the diversity of the period’s touring circuit — from progressive rock to jazz fusion, singer‑songwriters, and rising glam‑leaning acts. It stands as a preserved moment of 1974’s cultural rhythm, where live performance was central to music discovery and community identity.
📰 Publication Details
Publication: The Akron Beacon Journal
Date: 28 April 1974
Country: USA
Section / Page: Page 98
Format: Gig Guide / Concert Advert
📰 Related Material
Additional material connected to this entry is listed in the tag index at the foot of the page.
📰 Visual Archive
Concert listings from The Akron Beacon Journal, 28 April 1974.
The page features a stylised header illustration and a vertical column of concert advertisements, each with venue, date, and pricing details.
📰 Closing Notes
This clipping preserves a vivid snapshot of Cleveland’s concert culture in spring 1974. Through its typography, layout, and dense schedule of touring acts, it reflects the energy of a live‑music ecosystem driven by promoters, campuses, and an audience hungry for performance. As an archival piece, it stands as a testament to the era’s musical diversity and the regional importance of Belkin Productions.
📝 Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.
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