ELO (June 10, 1972) – Move Over for the ELO: Roy Wood

Roy Wood explains why he left The Move to form Electric Light Orchestra, describing the ambitious new project as a difficult but necessary evolution blending rock with classical elements.

Publication: New Musical Express (NME) Date: June 10, 1972

Country: United Kingdom Location: London Section: Feature / Page 14

THE STORY

In a major feature by Keith Altham, Roy Wood discusses the formation of Electric Light Orchestra after The Move. He describes ELO as a complex, ambitious project that fuses rock with classical influences, likening it to a “mini-orchestra.” Wood explains the creative and financial challenges of the new band, the difficulty of breaking audience expectations from The Move, and his determination to create something fresh. He notes that while The Move was successful, ELO represents a new direction he feels compelled to pursue, even if it means starting over with a smaller but dedicated following. The piece also touches on the involvement of Jeff Lynne and the band’s early struggles.

CONTEXT AND NOTES 

This article appeared just weeks before the release of ELO’s self-titled debut album in 1972. Roy Wood would soon depart the band to form Wizzard, leaving Jeff Lynne to lead ELO to massive international success. The feature captures a pivotal transitional moment in UK rock history — the shift from late-60s pop/psychedelia toward more ambitious progressive and glam-era experimentation.

FEATURE HIGHLIGHTS 

Event: In-depth feature on Roy Wood and the launch of ELO

Era: 1972 UK Rock / Progressive / Glam transition

Tone: Conversational interview / Artist profile

Photography: Large action shot of Roy Wood on stage with guitar (top left) and a striking close-up portrait of Wood at the bottom of the page

WHAT THE CLIPPING SHOWS

• Bold headline: “MOVE OVER FOR THE ELO”

• Roy Wood discussing the challenges of creating a new sound after The Move

• Quotes about audience expectations, financial pressures, and artistic ambition

• Keith Altham byline and in-depth interview style

• Large photo of Roy Wood performing and a dramatic portrait at the bottom

• Supporting ads for Dusty Springfield and Val Doonican at the foot of the page

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RELATED MATERIAL 

This NME feature from the same date as the previous T.Rex and Sweet clippings provides further context on the vibrant and fast-changing UK music scene of June 1972.

For other relevant posts, see the tags at the foot of the page.

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