📰 Bowie’s Diamond Dogs Crowd Noise - Article : 1974
- David Bowie
- May 24, 1974
- 2 min read
A fascinating one-page 1974 report revealing that the opening crowd noise and “Hey!” exclamation on David Bowie’s *Diamond Dogs* album were sampled from The Faces’ live album *Coast To Coast: Overture And Beginners*.
Rod Stewart and The Faces unknowingly provide the roar that launches Bowie’s dystopian masterpiece.
1974 Music Press
Date: 1974
Length: 3 min read
đź“° Key Highlights
• Opening crowd noise on *Diamond Dogs* taken from The Faces live album
• Rod Stewart’s “Hey!” clearly audible at the start of the title track
• Recorded during *Diamond Dogs* sessions at Olympic Studios, Barnes
• Visitors to the sessions included Mick Jagger, Pete Townshend, Ronnie Wood and Rod Stewart
• Fun connection between Bowie and his glam-era contemporaries
đź“° Overview
Published in 1974, this short article uncovers the unexpected source of the live atmosphere that opens David Bowie’s *Diamond Dogs* album, highlighting the cross-pollination between major rock acts during the glam period.
đź“° Source Details
Publication / Venue: 1974 Music Press
Date: 1974
Format: News / Studio insight
Provenance Notes: Original 1974 music paper clipping.
đź“° The Story
The piece explains that the crowd roar and Rod Stewart’s enthusiastic “Hey!” greeting at the beginning of the *Diamond Dogs* title track were lifted from The Faces’ recently released live album *Coast To Coast*. It notes the friendly connections in the studio, with several superstar visitors (including members of The Faces and The Rolling Stones) dropping by during the sessions at Olympic Studios.
đź“° Visual Archive
Typical 1974 newsprint layout with a photo of David Bowie or The Faces, bold headline, and concise text columns.
đź“° Related
For more similar posts, check out the tags at the bottom of the page.
đź“° Closing Notes
This fun 1974 snippet reveals a charming hidden detail in one of Bowie’s most iconic albums — a subtle but fitting link between the Starman and his fellow glam rock contemporaries The Faces.
đź“ť Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.
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