đ I Want To Break Free â Single: Apr. 1984
- Queen

- Apr 2, 1984
- 3 min read




Released in the UK on April 2, 1984, Queenâs âI Want To Break Free,â backed with âMachines (or Back To Humans),â appeared as a 7-inch vinyl single on EMI Records. Written by bassist John Deacon and produced by Queen with Reinhold Mack, the track became one of the bandâs most iconic 1980s releases. Its synthâdriven popârock arrangement, anthemic chorus, and Freddie Mercuryâs commanding vocal helped propel the single to major international success. In the UK, it reached No. 3 and was certified double platinum with sales exceeding 1,200,000 copies. In the US, it peaked at No. 45 on the Billboard Hot 100, while topping the charts in Austria, Belgium, and the Netherlands. The song later appeared on the bandâs compilation *Greatest Hits II*.
Single was issued with 4 separate covers featuring each member of the band.
Label: EMI Records
Catalogue Number: EMI 1984 (typical UK issue)
Format: 7" Vinyl Single (Solid Centre; EMI Factory Sleeve)
Released: April 2, 1984 (UK)
đ Track List
UK 7" Single â EMI Records â EMI 1984 â 1984
A. I Want To Break Free
Written by: John Deacon
Produced by: Queen & Reinhold Mack
B. Machines (or Back To Humans)
Written by: Brian May, Roger Taylor
Produced by: Queen & Reinhold Mack
Recorded at: Record Plant, Musicland Studios, 1983â84
Published by: Queen Music Ltd.
đ Key Highlights
⢠Released April 2, 1984
⢠A-side: John Deaconâpenned synthâpop anthem
⢠B-side: Technoârock track from *The Works*
⢠UK peak: No. 3
⢠UK certification: Double Platinum (1,200,000+ sales)
⢠US Billboard Hot 100 peak: No. 45
⢠No. 1 in Austria, Belgium, Netherlands
⢠Featured on *Greatest Hits II*
đ The Story
âI Want To Break Freeâ emerged as one of Queenâs defining 1980s singles, showcasing the bandâs shift toward synthâdriven pop while retaining their trademark melodic power. Written by John Deacon, the track blended electronic textures with a soaring, emotionally charged vocal from Freddie Mercury. Its themes of liberation and selfâdetermination resonated widely, contributing to its strong chart performance across Europe and beyond.
The B-side, âMachines (or Back To Humans),â co-written by Brian May and Roger Taylor, offered a contrasting futuristic sound, combining rock instrumentation with programmed elements to explore themes of technology and humanity.
Commercially, the single was a major success in the UK, reaching No. 3 and earning doubleâplatinum certification. Its performance in the US was more modest, peaking at No. 45, but it became a chartâtopper in several European territories. The songâs enduring popularity ensured its inclusion on *Greatest Hits II*, cementing its place in Queenâs legacy.
đ Variants (UK)
⢠7", 45 RPM, Single, Solid Centre â EMI â EMI 1984 â UK â 1984
⢠7", 45 RPM, Single, Promo â EMI â EMI 1984 â UK â 1984
⢠12" Maxi-Single â EMI â 12 EMI 1984 â UK â 1984
đ Chart Performance
UK â Official Singles Chart
3 â Peak Position
Certification: Double Platinum
US â Billboard Hot 100
45 â Peak Position
Austria â Ă3
1 â Peak Position
Belgium â Ultratop
1 â Peak Position
Netherlands â Dutch Top 40
1 â Peak Position
đ Context & Notes
⢠A-side: One of Queenâs most recognisable 1980s singles
⢠B-side: Technoârock track from *The Works*
⢠Production: Queen & Reinhold Mack
⢠Sleeve: Standard EMI factory sleeve (UK)
⢠Historical placement: Major international hit; later included on *Greatest Hits II*
đ Related Material
⢠âRadio Ga Gaâ (1984)
⢠The Works (Album, 1984)
⢠âHammer to Fallâ (1984)
⢠Greatest Hits II (1991)
đ Discography
Radio Ga Ga â 1984
I Want To Break Free â 1984
Hammer to Fall â 1984
Thank God Itâs Christmas â 1984
đ MiniâTimeline
⌠1983â84 â Recorded during *The Works* sessions
⌠Apr 2, 1984 â UK single released
⌠Spring 1984 â Peaks at No. 3 in the UK
⌠1984 â Tops charts in Austria, Belgium, Netherlands
đ Glam Flashback
A synthâpowered anthem of liberation â Mercury soaring, Deacon writing at his sharpest, and Queen conquering the 1980s airwaves.
đ Hashtags
đ Sources
Primary reference sources:
Wikipedia ⢠Discogs ⢠45cat ⢠BBC / Official Charts Company
đ Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, nonâcommercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.




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