đ The Banginâ Man â Single: Jun. 1974
- Slade

- Jun 28, 1974
- 3 min read

Released in the UK on June 28, 1974, Sladeâs âThe Banginâ Man,â backed with âShe Did It to Me,â appeared as a 7-inch vinyl single on Polydor Records (2058 500). Written by Noddy Holder and Jim Lea, the track was a standalone nonâalbum single issued between *Old New Borrowed and Blue* and *Slade in Flame*. A highâenergy glamârock and powerâpop anthem driven by raucous guitars, thundering bass, and Holderâs unmistakable vocals, it entered the UK Singles Chart in early July, peaking at No. 3 and remaining on the chart for seven weeks. Certified UK Silver by the BPI for sales over 250,000 copies, the single stands as one of Sladeâs major midââ70s hits. The B-side, âShe Did It to Me,â also written by Holder and Lea, was exclusive to the single until its later appearance on the 2007 *B-Sides* compilation.
Label: Polydor Records
Catalogue Number: 2058 500
Format: 7" Vinyl Single (Solid Centre / PushâOut Centre; Promo & Commercial)
Released: June 28, 1974 (UK)
đ Track List
UK 7" Single â Polydor Records â 2058 500 â 1974
A. The Banginâ Man
Written by: Noddy Holder, Jim Lea
Produced by: Chas Chandler
B. She Did It to Me
Written by: Noddy Holder, Jim Lea
Produced by: Chas Chandler
Recorded at: Portland Studios, 1974
Published by: Barn Publishing Ltd.
đ Key Highlights
⢠Released June 28, 1974
⢠A-side: Highâenergy glamârock/powerâpop single
⢠B-side: Exclusive nonâalbum track (later on 2007 *B-Sides*)
⢠UK peak: No. 3
⢠Chart run: 7 weeks
⢠Certified UK Silver (250,000+ sales)
⢠Issued in solid centre, pushâout centre, and promo variants
đ The Story
By midâ1974, Slade were at the height of their commercial powers, and âThe Banginâ Manâ captured the bandâs trademark blend of swagger, melody, and raw glamârock energy. Written by Holder and Lea, the track delivered stomping rhythms, driving guitar lines, and a powerhouse vocal performance that cemented Sladeâs reputation as one of Britainâs most reliable hitâmakers.
The B-side, âShe Did It to Me,â offered a more soulful, grooveâdriven contrast, showcasing the bandâs versatility and their ability to craft strong material beyond their chartâaimed singles. Its exclusivity made the single particularly appealing to collectors until its eventual reissue decades later.
Commercially, âThe Banginâ Manâ was another major success for the Wolverhampton quartet. Peaking at No. 3 and spending seven weeks on the UK chart, it continued their run of highâperforming singles and earned a Silver certification for sales exceeding 250,000 copies. Its strong European performance further reinforced Sladeâs status as one of the continentâs leading glamârock acts.
Today, the single stands as a quintessential slice of Sladeâs midââ70s output â loud, confident, melodic, and unmistakably theirs.
đ Variants (UK)
⢠7", 45 RPM, Single, Solid Centre â Polydor â 2058 500 â UK â 1974
⢠7", 45 RPM, Single, PushâOut Centre â Polydor â 2058 500 â UK â 1974
⢠7", 45 RPM, Single, Promo â Polydor â 2058 500 â UK â 1974
đ Chart Performance
UK â Official Singles Chart
3 â Peak Position
Chart Run: 7 Weeks Total
Certification: UK Silver (BPI)
đ Context & Notes
⢠A-side: Nonâalbum single between major LP releases
⢠B-side: Exclusive track until 2007 reissue
⢠Production: Chas Chandler
⢠Sleeve: Standard Polydor company sleeve (UK)
⢠Historical placement: One of Sladeâs major 1974 hits
đ Related Material
⢠âEverydayâ (1974)
⢠Old New Borrowed and Blue (Album, 1974)
⢠âFar Far Awayâ (1974)
⢠Slade in Flame (Album, 1974)
đ Discography
Everyday â 1974
The Banginâ Man â 1974
Far Far Away â 1974
How Does It Feel â 1975
đ MiniâTimeline
⌠1974 â Recorded during Portland Studios sessions
⌠Jun 28, 1974 â UK single released
⌠Jul 1974 â Peaks at No. 3, charts for 7 weeks
⌠Late 1974 â Certified UK Silver
đ Glam Flashback
A stomping, highâvoltage blast of Slade at full power â melodic, muscular, and built for the top of the charts.
đ Hashtags
đ Sources
Primary reference sources:
Wikipedia ⢠Discogs ⢠45cat ⢠BBC / Official Charts Company
đ Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, nonâcommercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





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