đź“° March Release For Ronson - Article : Feb. 1974
- Mick Ronson
- Feb 2, 1974
- 2 min read
A news-packed one-page feature in Sounds covering David Bowie’s upcoming single “Rebel Rebel,” his theatrical plans, and Mick Ronson’s first solo live performances at London’s Rainbow Theatre.
Ronson steps into the spotlight as Bowie continues his post-Ziggy evolution.
Sounds
Date: February 2, 1974
Length: 3 min read
đź“° Key Highlights
• Mick Ronson to play first solo live shows at Rainbow Theatre on February 22
• David Bowie’s new RCA single “Rebel Rebel” releasing February 8
• Bowie heading to New York to work on stage show *The 1980 Floor Show*
• Adaptation of George Orwell’s *1984* in development
• Mentions of Trevor Bolder and Mike Garson still involved with Bowie
đź“° Overview
Published on February 2, 1974, this Sounds news page reports on the latest moves from David Bowie and his former guitarist Mick Ronson as both artists forged new paths after the Ziggy Stardust era.
đź“° Source Details
Publication / Venue: Sounds
Date: February 2, 1974
Format: News round-up / One-page feature
Provenance Notes: Original 1974 Sounds music paper page.
đź“° The Story
The article announces Bowie’s new single “Rebel Rebel” and his plans to leave Britain for New York after its release. It also details his theatrical project based on *1984*. A major section focuses on Mick Ronson staging his debut solo live performances at the Rainbow Theatre, marking his emergence as a solo artist.
đź“° Visual Archive
Clean newsprint layout with bold headlines including “David Bowie the Rebel” and “March release for Ronson,” accompanied by text columns typical of early 1974 music papers.
đź“° Related
For more similar posts, check out the tags at the bottom of the page.
đź“° Closing Notes
This February 1974 Sounds page captures a key transitional moment — Bowie reinventing himself while his former musical right-hand man Mick Ronson prepares to launch his solo career.
đź“ť Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.
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