Mick Ronson (May 11, 1974) To Hull and Back – New Musical Express

Mick Ronson
May 11, 1974
2 min read

A two‑page feature from New Musical Express profiling Mick Ronson, written by Charles Shaar Murray. The article explores Ronson’s post‑Bowie career and his return to his Yorkshire roots following the success of his solo work.

Writer: Charles Shaar Murray

Artist: Mick Ronson

Date: May 11, 1974

Length: 5 min read

The feature opens with Murray’s wry introduction, describing Hull as the last place he wanted to visit — yet the perfect setting to capture Ronson’s grounded character. The piece traces Ronson’s journey from his time as David Bowie’s guitarist and arranger to his emergence as a solo artist. It highlights his modest personality, technical brilliance, and the contrast between his fame and his Hull upbringing. The accompanying photograph shows Ronson performing live, guitar in hand, dressed in metallic stagewear, symbolising his blend of glam style and working‑class authenticity.

PUBLICATION

Publication: New Musical Express

Date: May 11, 1974

Country: United Kingdom

Section / Pages: Pages 16–17

Title: To Hull and Back

FEATURE HIGHLIGHTS

Event: Mick Ronson profile and interview

Era: 1974 – Post‑Spiders From Mars period

Tone: Reflective, humorous, and insightful

Photography: Live performance image of Ronson with guitar

Audience: UK rock readers and Bowie‑era followers

“One day Paul Brett is going to have to pause for breath and perhaps the rest of the music world will catch up.”

(Note: adjacent Paul Brett advert shares the same page.)

THE STORY BEHIND IT

After his celebrated work with David Bowie, Mick Ronson embarked on a solo career marked by both creative freedom and personal introspection. Charles Shaar Murray’s article captures this transitional moment, portraying Ronson as a musician balancing fame with humility. The feature situates him within the broader landscape of British rock, where regional identity and artistic ambition intersect.

WHAT THE CLIPPING SHOWS

Event: Mick Ronson feature and live performance coverage

Era: 1974

Tone: Warm and observational

Photography: Ronson performing on stage in metallic attire

Audience: NME readers and glam‑rock enthusiasts

CONTEXT AND NOTES

This article exemplifies NME’s mid‑70s editorial style — sharp, literate, and personality‑driven. It reflects the publication’s fascination with post‑Bowie narratives and the evolution of glam musicians into independent artists. The inclusion of the Paul Brett advert on the facing page situates Ronson within the broader British rock scene of the time.

SOURCES

New Musical Express (May 11 1974)

Publication verified from archival issue records

Context cross‑checked with discography and press documentation

External anchors: Discogs / Wikipedia (where applicable)

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