📰 Mirrorpick – New Singles : Nov. 1972
- Slade
- Nov 18, 1972
- 2 min read
A one‑page Record Mirror singles column in which Peter Jones reviewed the week’s key new releases, led by Slade’s powerhouse “Gudbuy T’ Jane.” The page combined RM’s trademark punchy, conversational tone with sharp commercial instincts, positioning Slade’s single as a major contender while spotlighting emerging acts and long‑running rock staples.
Publication: Record Mirror
Date: November 18, 1972
Format: One‑page singles review
Writer: Peter Jones
A moment of glam‑era confidence, chart‑driven urgency and RM’s signature pop‑press directness.
đź“° Key Highlights
• Slade’s “Gudbuy T’ Jane” hailed as a potential career‑best single
• Strong emphasis on the track’s power, drive and instantly memorable riff
• Hello’s “C’mon” noted for youthful energy and tight delivery
• Status Quo’s “Paper Plane” praised as a return to form
• RM’s classic “CHART CERT” and “CHART CHANCE” verdicts anchoring the page
đź“° Overview
This page captures the UK singles landscape in late 1972 — a moment when Slade were at their commercial peak, Chinnichap glam was reshaping the charts, and Status Quo were re‑emerging with a harder, boogie‑driven sound. Peter Jones’ column delivered brisk, confident assessments, blending humour with a sharp sense of what would connect with the public.
đź“° Source Details
Publication / Venue: Record Mirror
Date: November 18, 1972
Format: One‑page singles review
Provenance Notes: Based on the original *Record Mirror* “Mirrorpick” column.
đź“° The Story
The reviews highlight:
• Slade’s unstoppable momentum following “Mama Weer All Crazee Now”
• The group’s signature stomp, bass‑driven push and Noddy Holder’s commanding vocal
• RM’s recognition of Hello as a promising new act with punch and urgency
• Status Quo’s shift toward the driving boogie style that would define their 1970s output
• The paper’s instinctive feel for chart potential and audience response
The tone is bold, enthusiastic and chart‑savvy — a critic capturing the week’s releases with clarity and flair.
đź“° Visual Archive
đź“° Closing Notes
A quintessential glam‑era singles page, this *Record Mirror* column stands as a vivid snapshot of the artists, sounds and commercial instincts shaping British pop in November 1972.
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