đ Mine For Me â Single: Nov. 1974
- Rod Stewart

- Nov 4, 1974
- 3 min read
A smooth, soulful midââ70s ballad, âMine For Meâ finds Rod Stewart leaning into a warmer, more melodic sound shaped by Paul McCartneyâs songwriting touch.
Released on November 4, 1974, âMine For Meâ served as the second single from Rod Stewartâs sixth album *Smiler*. Issued in the United States by Mercury Records under catalogue number 73636, the single paired Stewartâs distinctive rasp with a tender composition written by Paul McCartney. Backed with âFarewell,â the release showcased Stewartâs shift toward a more polished, soulful pop style during the midââ70s. Although *Smiler* received mixed critical reception, âMine For Meâ stood out as one of its strongest tracks, blending Stewartâs emotive delivery with McCartneyâs melodic sensibility. The single helped maintain Stewartâs commercial momentum in the US market during a transitional period between his early Mercury years and his later Warner Bros. era.
Label: Mercury Records
Catalogue Number: 73636
Format: 7" Vinyl Single (Solid Centre)
Released: November 4, 1974 (US)
đ Track List
US 7" Single â Mercury Records â 73636 â 1974
A. Mine For Me
B. Farewell
Written by: Paul McCartney (A) / Rod Stewart, Martin Quittenton (B)
Produced by: Rod Stewart
Recorded: 1974
đ Key Highlights
⢠Released November 4, 1974
⢠A-side: Soulâleaning ballad written by Paul McCartney
⢠B-side: âFarewellâ â from *Smiler*
⢠Chart debut: December 1974
⢠Performed on: US radio and promotional rotation
⢠Recorded at: 1974 *Smiler* sessions
đ The Story
âMine For Meâ emerged during a transitional moment in Rod Stewartâs career. As he completed his final album for Mercury Records, Stewart was balancing his solo success with his commitments to Faces, while also exploring a more polished, soulful sound. The involvement of Paul McCartney â who wrote the song specifically for Stewart â added a notable pop pedigree to the project. McCartneyâs melodic instincts paired naturally with Stewartâs expressive vocal style, resulting in one of the more refined and emotionally resonant tracks on *Smiler*.
The singleâs Bâside, âFarewell,â offered a contrasting tone, reflecting Stewartâs folkârock influences and his longâstanding collaboration with guitarist and coâwriter Martin Quittenton. Together, the two tracks showcased the stylistic range Stewart was navigating during the midââ70s.
While âMine For Meâ was released only in the United States, it contributed to Stewartâs continued visibility in the American market and demonstrated his ability to interpret material from other major songwriters. The single also marked one of the final steps before Stewartâs shift to Warner Bros., where he would enter a new phase of international superstardom.
đ Variants (US)
⢠7", 45 RPM, Single â Mercury â 73636 â US â 1974
⢠7", 45 RPM, Single, Promo â Mercury â 73636 â US â 1974
⢠Issued in standard Mercury company sleeve
đ Chart Performance
US â Billboard Hot 100
90 â December 14, 1974
83 â December 21, 1974
78 â December 28, 1974
72 â January 4, 1975
67 â January 11, 1975
63 â January 18, 1975
60 â January 25, 1975
59 â February 1, 1975
59 â February 8, 1975
66 â February 15, 1975
92 â February 22, 1975
Total Weeks: 11
đ Context & Notes
⢠A-side: Written by Paul McCartney specifically for Stewart
⢠B-side: âFarewellâ â also featured on *Smiler*
⢠Production: Rod Stewart
⢠Sleeve notes: Standard Mercury Records company sleeve
⢠Historical placement: Second single from *Smiler*; final Mercury era
⢠Reissues / compilation appearances: Included on various Stewart anthologies
đ Related Material
⢠*Smiler* (1974)
⢠âFarewellâ (1974)
⢠âSailingâ (1975)
⢠*Atlantic Crossing* (1975)
đ Discography
Farewell â 1974
Mine For Me â 1974
Sailing â 1975
Three Time Loser â 1975
đ MiniâTimeline
⌠1974 â Recorded during *Smiler* sessions
⌠Nov 4, 1974 â US single released
⌠Dec 14, 1974 â Enters Billboard Hot 100
⌠Feb 1, 1975 â Peaks at No. 59
⌠Feb 22, 1975 â Completes 11âweek chart run
đ Glam Flashback
A warm, melodic detour in Stewartâs midââ70s catalogue â soulful, polished, and lifted by McCartneyâs unmistakable songwriting charm.
đ Sources
Primary reference sources: Mercury Records, Discogs, Billboard, contemporary musicâpress documentation, archival references.
đ Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, nonâcommercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





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