đ See My Baby Jive â Single: Apr. 1973
- Wizzard

- Apr 6, 1973
- 3 min read
A dazzling burst of orchestral glam, âSee My Baby Jiveâ marked Wizzardâs arrival as one of the most inventive and flamboyant forces of the early 1970s. Written and produced by Roy Wood, the single fused Phil Spectorâstyle wallâofâsound production with Woodâs eccentric multiâinstrumental brilliance. Released on April 6 1973, it became Wizzardâs first UK No. 1 single, spending four weeks at the top of the charts and becoming the sixth bestâselling UK single of the year.

The Bâside, âBend Over Beethoven,â written by cellist Hugh âHâ McDowell, continued the bandâs playful, genreâbending approach. The single also credited backing vocals to âThe Suedettes,â adding to its theatrical charm. Its influence extended far beyond the glam eraâABBA later acknowledged the track as a key inspiration for their breakthrough hit âWaterloo.â
Label: Harvest
Catalogue Number: HAR 5070
Format: 7" Vinyl Single
Released: April 6 1973 (UK)
đ Track List
UK 7" Single â Harvest â HAR 5070 â 1973
A. See My Baby Jive â 5:00
Written by: Roy Wood
Backing Vocals: The Suedettes
B. Bend Over Beethoven
Written by: Hugh âHâ McDowell
Produced by: Roy Wood
Published by: Roy Wood Music / Carlin Music Corp
Recorded: 1973
đ Key Highlights
⢠Released April 6 1973
⢠A-side: Wizzardâs first UK No. 1 single
⢠B-side: Written by Hugh âHâ McDowell
⢠UK Chart: No. 1 for four weeks
⢠International success: No. 1 in Ireland, Top 5 in Germany, Top 10 in the Netherlands and New Zealand
⢠Sixth bestâselling UK single of 1973
⢠Backing vocals credited to âThe Suedettesâ
đ The Story
âSee My Baby Jiveâ was Roy Woodâs boldest statement yetâa towering, technicolour glamâpop anthem built on layers of brass, strings, pounding drums, and soaring harmonies. Wood played a vast array of instruments himself, from guitars and sitar to cello, bassoon, and tuba, creating a dense, joyous soundscape that echoed Phil Spectorâs legendary production style.
The singleâs infectious energy and theatrical flair propelled it to No. 1 in the UK, where it remained for four consecutive weeks. It also topped the Irish charts and became a major hit across Europe and Australasia. Its influence was immediate and farâreaching: ABBA later cited it as a key inspiration for âWaterloo,â which would win Eurovision the following year.
The Bâside, âBend Over Beethoven,â showcased the bandâs playful eclecticism, with McDowellâs writing adding a quirky counterpoint to the grandiosity of the Aâside.
đ Variants (UK)


⢠7", 45 RPM, Single â Harvest â HAR 5070 â UK â 1973 (solid centre)
⢠7", 45 RPM, Single â Harvest â HAR 5070 â UK â 1973 (4âprong centre)


⢠7", 45 RPM, Promo â Harvest â HAR 5070 â UK â 1973
⢠Issued in standard Harvest company sleeve
đ Sleeves
⢠Standard Harvest Records company sleeve (UK vinyl)
⢠Promo edition: Same sleeve with âDEMO RECORD NOT FOR SALEâ labels
⢠No dedicated picture sleeve issued for this release in UK
đ Chart Performance
UK â Official Singles Chart
Peak Position: No. 1
Total Weeks on Chart: [Not listed]
First Chart Date: April 1973
International Chart Peaks:
Ireland â No. 1
Germany â No. 5
Netherlands â No. 10
New Zealand â No. 4
Norway â No. 9
Belgium â No. 19
Australia â No. 12
Austria â No. 20
đ Context & Notes
⢠A-side: One of the defining glam singles of 1973
⢠B-side: Written by Hugh âHâ McDowell
⢠Production: Roy Woodâs maximalist orchestral glam style
⢠Sleeve notes: Standard Harvest company sleeve
⢠Historical placement: Wizzardâs breakthrough and a major glam milestone
⢠Influence: Acknowledged by ABBA as an inspiration for âWaterlooâ
đ Related Material
⢠âBall Park Incidentâ (1972)
⢠âAngel Fingersâ (1973)
⢠*Wizzard Brew* (1973)
đ Discography
Ball Park Incident â 1972
See My Baby Jive â 1973
Angel Fingers â 1973
đ MiniâTimeline
⌠Early 1973 â Recorded for Harvest Records
⌠Apr 6 1973 â UK single released
⌠MayâJun 1973 â Spends four weeks at No. 1
⌠1974 â Influences ABBAâs âWaterlooâ
đ Glam Flashback
Roy Wood didnât just write a hitâhe built a technicolour glam cathedral, and âSee My Baby Jiveâ rang its bells across the world.
đ Sources
Primary reference sources: Harvest Records, Discogs, Official Charts Company, IRMA, European chart archives, contemporary musicâpress documentation, archival references.
đ Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, nonâcommercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





Comments