đ° Whatever Turned Me On - Article : Sep. 1972
- Faces

- Sep 2, 1972
- 2 min read
A fascinating one-page New Musical Express feature in which Faces keyboardist Ian McLagan shares the records and artists that shaped his musical taste, from classic rock ânâ roll and blues to soul and R&B.
Ian McLagan reveals the sounds that turned him on â from Chuck Berry to Muddy Waters and Marvin Gaye.
New Musical Express
Date: September 2, 1972
Length: 4 min read
đ° Key Highlights
⢠Ian McLagan discusses his biggest musical influences and favourite records
⢠Praise for Chuck Berryâs âNadineâ, Muddy Waters, Marvin Gayeâs âI Heard It Through The Grapevineâ, and Gladys Knight
⢠Appreciation for Betty Wright, The Rolling Stones, and other soul and blues artists
⢠Insight into McLaganâs musical roots and how they fed into The Facesâ raucous, good-time rock ânâ roll style
⢠Part of NMEâs popular âWhatever Turned Me Onâ influence series
đ° Overview
Published on September 2, 1972, this NME piece gives readers a personal look into the musical DNA of Ian McLagan, the driving keyboard force behind The Faces during their peak years.
đ° Source Details
Publication / Venue: New Musical Express
Date: September 2, 1972
Format: Artist influences / Feature
Provenance Notes: Original 1972 NME magazine page.
đ° The Story
Ian McLagan opens up about the records that inspired him, highlighting Chuck Berryâs guitar and piano energy, Muddy Watersâ blues power, Marvin Gayeâs soulful delivery, and several other key artists. He paints a picture of a musician deeply rooted in American rock, blues, and soul â influences that helped shape The Facesâ energetic, pub-rock-meets-glam sound.
đ° Visual Archive

Prominent black-and-white portrait of a young Ian McLagan with his trademark shaggy hair, surrounded by columns of text listing his favourite records and influences.
đ° Related
For more similar posts, check out the tags at the bottom of the page.
đ° Closing Notes
This September 1972 NME feature offers a wonderful glimpse into the musical soul of Ian McLagan â one of the key architects of The Facesâ loose, joyful rock ânâ roll sound during the early 1970s.
đ Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





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