📰 Slade’s Music Is Hard as Rock – Concert Review: Apr. 1973
- Slade
- Apr 27, 1973
- 2 min read
A glowing newspaper review celebrated Slade’s raw power and working-class glam appeal as they brought their high-energy stompers to Montreal in the spring of 1973.
Published on 27 April 1973 in The Gazette (Montreal), this piece captured the band at the peak of their UK success while they were conquering North America.
đź“° What the Clipping Shows
A prominent single-column review headlined “Slade’s music is hard as rock” by Bill Mann. The article praises Slade’s high-decibel, stomping sound, Noddy Holder’s powerful vocals, and the band’s ability to deliver a no-nonsense rock show. It notes their recent chart success and energetic live performance.
This clipping matters as a strong North American press reaction to Slade during their 1973 international breakthrough, highlighting their status as one of the hardest-rocking glam bands of the era.
đź“° The Story Behind It
In April 1973, Slade — already massive stars in Britain with hits like “Cum On Feel the Noize” and “Mama Weer All Crazee Now” — brought their boot-stomping glam rock to Montreal. The review describes their music as loud, straightforward, and full of energy, with Noddy Holder’s unmistakable raspy roar leading the charge.
The band’s working-class image, complete with mirrored top hats and platform boots, perfectly matched their anthemic, sing-along rock. Reviewer Bill Mann noted that Slade delivered exactly what their fans wanted — pure, unpretentious hard rock.
đź“° Publication Details
Publication: The Gazette (Montreal)
Date: April 27, 1973
Country: Canada
Section / Page: Page 24
Format: Concert Reviewđź“° Related Material
• Related entries on Slade’s 1973 North American tour
• Slayed? album and singles coverage
Additional material connected to this entry is listed in the tag index at the foot of the page.
đź“° Visual Archive
A newspaper review column with the headline “Slade’s music is hard as rock” and detailed text praising the band’s powerful live performance.
Bill Mann reviews Slade’s high-energy show — The Gazette (Montreal), April 27, 1973.📰 Closing Notes
This 1973 review perfectly captures Slade at their commercial and creative peak — loud, proud, and unapologetically working-class. While glitter and platforms defined their image, it was the raw power of their music that won over audiences on both sides of the Atlantic. A great snapshot of glam rock’s heavier, more stomping side.
đź“ť Copyright Notice
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