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📰 Wizzard – Two‑Page Feature – Apr. 1974

  • Writer: Wizzard
    Wizzard
  • Apr 1, 1974
  • 2 min read

A warm, slightly eccentric portrait of Roy Wood at the height of Wizzard’s fame — half interview, half character study — capturing his humour, his musical restlessness, and the colourful chaos of early‑’70s glam.


đź“° Publication Details

Publication: Music Star

Date: April 1974

Country: United Kingdom

Section / Page: Two‑Page Feature

Format: Interview / Profile


đź“° What the Clipping Shows

A bold headline — “Wizzard who lives in the Wood” — paired with a stylised black‑and‑white portrait of Roy Wood in full theatrical makeup. The layout mixes a large introductory column with a continuation page of dense interview text. Typography is playful and youth‑magazine friendly, with a mix of bold headers and conversational body copy.


This clipping matters because it captures Roy Wood at a moment of transition: post‑ELO, mid‑Wizzard, and openly reflecting on ambition, songwriting, and the shifting glam landscape.


đź“° The Story Behind It

By early 1974, Roy Wood had already lived several musical lives — The Move, ELO, and now Wizzard — and Music Star frames him as both elder statesman and restless experimenter. The article opens with Wood’s reflections on how audiences perceive the band’s eclecticism.


“We’re a rock & roll band, but we tend to drift off into jazz and classical things too. They can’t pin us down.”


The tone is affectionate and lightly humorous, emphasising the camaraderie within Wizzard and Wood’s long‑standing creative friendships. The feature highlights his versatility, his early struggles, and his desire to write across genres — even for other artists.


“I’d really like to get into writing film music… My main ambition, as a songwriter, is to write for established artists.”


The second page shifts toward future plans: the new album, the band’s hopes for America, and Wood’s thoughts on glam rock’s trajectory. It situates him within the broader pop landscape of 1974 — admiring Slade, Wings, Zappa, and Rundgren — while still carving out his own idiosyncratic path.


đź“° Quotes from the Article

“We’re a rock & roll band, but we tend to drift off into jazz and classical things too.”

“I’d really like to get into writing film music.”


đź“° Related Material

• Disc – Bargain Basement – Apr. 1972

• Circus – Wizzard / Roy Wood Mentions – 1973–74

• Chronicle Entry – Wizzard: Ball Park Incident Era


Additional material connected to this entry is listed in the tag index at the foot of the page.


đź“° Visual Archive


Two‑page Music Star feature on Roy Wood and Wizzard, April 1974.


The spread includes a stylised portrait illustration, a bold title header, and two columns of interview text continuing across the second page.


đź“° Closing Notes

This Music Star feature captures Roy Wood at his most candid — funny, self‑aware, ambitious, and creatively unboxed. It stands as a vivid snapshot of Wizzard’s peak and of Wood’s refusal to be confined by genre, image, or expectation.



📝 Copyright Notice

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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