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Alice hits the cover – Cream goes full gonzo on shock rock’s wildest ride! cover and four-page feature DaDa Weer All Zrazee Now Cream magazine, November 1972.

On October 30th, 1972, "Hi-Ho Silver Lining" backed with "Beck's Bolero" and "Rock My Plimsoul" by Jeff Beck entered the UK singles chart at number 32. The song remained on the chart for 11 weeks, reaching its peak at number 17 Catalogue: 1C 006-93 925 MA Psychedelic Rock Reissue Jeff Beck’s “Hi Ho Silver Lining” 7-inch vinyl single, was released in the UK on October 20, 1972, on RAK Replay (catalogue: RR 3). Backed with “Beck's Bolero” and “Rock My Plimsoul,” this reissue of his 1967 hit, with the added track of “Rock My Plimsoul, written by Scott English and Larry Weiss, capitalized on Beck's growing legend. Produced by Mickie Most, the A-side's upbeat psychedelic rock with strings and bells peaked at No. 17 on the UK Singles Chart for 11 weeks. Housed in a die-cut paper sleeve, it's a collectible snapshot of Beck's Yardbirds-to-solo evolution. "Hi Ho Silver Lining" is a rock song, written by American songwriters Scott English and Larry Weiss and first released as a single in March 1967 by English band the Attack, then a few days later by Jeff Beck. The Attack's version failed to chart, while Beck's recording reached the top 20 of the singles chart in his native Britain in both 1967 and 1972, becoming his biggest solo hit. Beck's single failed to crack the Billboard Hot 100 in the United States, however. The song is popular with fans of numerous football clubs in the United Kingdom, including Aston Villa, Sheffield Wednesday, and Wolverhampton Wanderers, where it is often chanted by spectators. During the chorus, the words 'silver lining' are usually replaced with the name of the football club in question. Background Songwriters English and Weiss started writing a song together, with a chorus of "Hi ho silver lining", but no verses. When producer Mickie Most heard their early version, he suggested that it would be a hit and persuaded English to complete the lyrics. According to writer and musician Bob Stanley, English wanted to record a finished version of the song himself, so decided to deter Most by writing "the most unusable, stupid lyric he could think up, about flies in pea soup and beach umbrellas". To English's chagrin, Most liked the song, and had Jeff Beck record it. Jeff Beck version In May 1967, Beck's version peaked at No. 14 (for three consecutive weeks) on the UK Singles Chart during a then lengthy 14-week run. The single spent a further 11 weeks on the chart when reissued in the autumn of 1972, peaking at No. 17 (for three consecutive weeks) in December. In the U.S., Beck's single (released as "Hi-Ho Silver") peaked at No. 123 in May 1967. The song was not included on Beck's album Truth when first released in 1968, but featured as a bonus track on the 2006 reissue. In 1983, in an all-star jam with Steve Winwood and Simon Phillips, Beck performed "Hi Ho Silver Lining" live at the ARMS Charity Concert, a charity benefit show for multiple sclerosis, at London's Royal Albert Hall. The song was resurrected for the Together and Apart Japanese and U.S. tours with Eric Clapton in 2009 and 2010. According to Kate Mossman, writing in the New Statesman, Beck "has likened 'Hi Ho Silver Lining' to having a pink toilet seat hung around your neck for the rest of your life." Single Overview Label: RAK – RR 3 Series: RAK Replay – RR 3 Format: Vinyl, 7", 45 RPM, Single, Reissue, Repress Country: UK Released: 1973 A Hi Ho Silver Lining Drums [Uncredited] – Clem Cattini Written-By – Scott English B Bolero Bass Guitar [Uncredited] – John Paul Jones Drums [Uncredited] – Keith Moon Electric Guitar – Jeff Beck Electric Guitar [12 String] [Uncredited] – Jimmy Page Piano [Uncredited] – Nicky Hopkins Written-By – Jeff Beck B2 Rock My Plimsoul Written-By – Rod* Personnel Jeff Beck – guitars, vocals John Paul Jones – bass guitar Clem Cattini – drums Rod Stewart – backing vocals Mickie Most – producer UK Releases Format: Vinyl, 7", 45 RPM, Single, Promo, Reissue Label: RAK – RR 3 Country: UK Released: 1973Format: Vinyl, 7", 45 RPM, Single, Reissue, Repress, Push-Out Centre Label: RAK – RR 3 Series: RAK Replay – RR 3 Country: UK Released: 1973 Format: Vinyl, 7", 45 RPM, Single, Reissue, Solid Center Label: RAK – RR 3 Series: RAK Replay – RR 3 Country: UK Country Variations France - RAK - 1972 Germany - Columbia - 1972 Portugal - Columbia - 1972 Australia - RAK - 1973 UK - RAK Replay - 1982 Chart Peak Position Australia 25 Ireland 17 Netherlands 12 Netherlands 12 New Zealand 4 UK 15 UK 12 UK 23 UK Singles 14 US Billboard Bubbling Under Hot 100 23 Have you snagged this Beck classic in your vinyl collection? Does “Hi Ho Silver Lining” still shine? Share in the comments!

A Gritty Glam Rock Satire The Sensational Alex Harvey Band’s “There’s No Lights On The Christmas Tree Mother, They’re Burning Big Louie Tonight” 7-inch vinyl single, was released in the UK on October 27, 1972, on Vertigo Records (catalogue: 6059 070). Backed with “Harp,”only single from the band’s debut album Framed. Housed in a Vertigo swirl company sleeve, it’s a cult classic of SAHB’s early years. The single was only released in the UK. Single Overview Label: Vertigo – 6059 070 Format: Vinyl, 7", 45 RPM, Single Company Sleeve Country: UK Released: 27 Oct 1972 1 There's No Lights On The Christmas Tree Mother, They're Burning Big Louie Tonight Written-By – Harvey, Condron 2 Harp Written-By – Harvey Published By – Copyright Control Country Variations 1: Label: Vertigo – 6059 070 Format: Vinyl, 7", 45 RPM, Single, Promo Country: UK 2: Label: Vertigo – 6059 070 Format: Vinyl, 7", 45 RPM, Single Company Sleeve Country: UK Released: 27 Oct 1972 Have you snagged this SAHB rarity in your vinyl collection? Does “There’s No Lights” spark your playlist? Share in the comments! Sources Discogs: There’s No Lights On The Christmas Tree Mother (1972) 45cat: 6059 070 Single Official Charts Company: The Sensational Alex Harvey Band Singles AllMusic: The Sensational Alex Harvey Band Discography Wikipedia: The Sensational Alex Harvey Band YouTube: There’s No Lights Official Audio (2010 upload, 50K+ views) YouTube: Heart Of Stone Official Audio (2014 upload, 100K+ views)

A Retro Rock 'n' Roll Romp The song written by Elton John and Bernie Taupin, and recorded in summer 1972 at the Château d'Hérouville studio in France (it was listed as "Strawberry Studios" in the album's credits), where John and his team had previously recorded the Honky Château album. It was released on October 27, 1972 in the UK and November 20, 1972 in the U.S., as a pre-release single from his forthcoming 1973 album Don't Shoot Me I'm Only the Piano Player, and became his first U.S. number-one single, reaching the top spot on February 3, 1973, and staying there for three consecutive weeks. In the U.S., it was certified Gold on 5 February 1973 and Platinum on September 13, 1995 by the Recording Industry Association of America (RIAA). In Canada, it topped the chart as well, remaining at number one on the RPM 100 national singles chart for four weeks from February 17 through March 10 . It was the first song released as a single on the MCA label (catalogue #40000) after MCA was created (John had previously been with the Uni label.) "Crocodile Rock" is dominated by a Farfisa organ riff, played by John. The lyrics take a nostalgic look at early rock 'n' roll, pop culture, dating and youthful independence of that era. John's band members, include Davey Johnstone on guitars, Dee Murray on bass and Nigel Olsson on drums, were also performers on the song. John performed all the vocals, including the falsetto backing vocals. Inspiration Inspiration: The song was inspired by John's discovery of leading Australian band Daddy Cool and their hit single "Eagle Rock", which was the most successful Australian single of the early 1970s (with 1,000,000 sold), remaining at No.1 for a record of 10 weeks. John heard the song and the group on his 1972 Australian tour and was greatly impressed by it. A photo included in the album packaging features John's lyricist, Bernie Taupin, wearing a "Daddy Who?" promotional badge. The song also includes a lyrical reference to the 1950s hit record "Rock Around the Clock" by Bill Haley and his Comets ("While the other kids were rocking around the clock..."). Taupin also stated in an Esquire magazine interview that "Crocodile Rock" was a funny song in that he did not mind creating it, but it would not be something he would listen to; it was simply something fun at the time. John has dismissed criticism of the song that it was "derivative", quoted in the booklet for the 1995 reissue of Don't Shoot Me ... as saying, "I wanted it to be a record about all the things I grew up with. Of course it's a rip-off, it's derivative in every sense of the word." Billboard reviewed the single, stating that it "is a clever easy beat rocker with a sound and flavor of the 50's hits." Record World called it a "loving homage to revival rock and roll" with "a solid, infectious beat, funny and clever Taupin lyrics, and brilliant Gus Dudgeon production. Single Overview: A-Side: “Crocodile Rock” (3:56, Elton John/Bernie Taupin) B-Side: “Elderberry Wine” (3:34, Elton John/Bernie Taupin) Release Details: Label: DJM Records (UK pressing, 45 RPM). Formats: 7-Inch Vinyl (DJS 271): “Crocodile Rock” / “Elderberry Wine.” In a DJM company sleeve. No cassette or CD formats for this single in 1972; later included in CD reissues of Don’t Shoot Me I’m Only the Piano Player (1995). Notes: ℗ & © 1972 This Record Co. Ltd. Recorded at Château d’Hérouville, France, June 1972. Matrix numbers (e.g., DJS 271 A-1) confirm authenticity. 7-Inch Vinyl was released as a Knockout Centre and Solid Centre in the U.K. UK Chart Data: Entry Week October 29-November 4, 1972; Peaking at No. 5 for 3 weeks (November 19-December 9, 1972) 14 weeks on the chart in total. Single Chart Performance “Crocodile Rock” reached No. 5 in the UK, charting for 14 weeks, and achieved massive international success. Country Chart (1972–1973) Peak Position Australia 2 Belgium 3 Canada Top Singles (RPM) 1 Germany 3 Ireland 10 Italy 1 Netherlands Dutch Top 40 11 Norway 3 New Zealand (Listener) 1 South Africa (Springbok) 6 Switzerland 1 UK Singles Chart 5 US Billboard Hot 100 1 US Adult Contemporary (Billboard) 11 US Cash Box Top 100 1 Zimbabwe (ZIMA) 2 Personnel: Elton John – vocals, piano, Farfisa organ Davey Johnstone – electric guitar Dee Murray – bass Nigel Olsson – drums Legacy and Collectibility “Crocodile Rock” is an Elton John classic, with its catchy organ riff and nostalgic vibe, while “Elderberry Wine” adds a rare, boozy gem. Original UK 7-inch vinyls fetch £3–£10 on eBay/Discogs, with Japanese pressings (£8–£20) prized for obi strips. Verify catalogue DJS 271. Streams on Spotify via Don’t Shoot Me I’m Only the Piano Player deluxe editions preserve the analog bounce. This single is a must-have for Elton fans and glam rock collectors. Have you snagged this Elton classic in your vinyl collection? Does “Crocodile Rock” get you jiving? Share in the comments! Sources Wikipedia: Crocodile Rock Wikipedia: Don’t Shoot Me I’m Only the Piano Player Wikipedia: Elton John Discography YouTube: Crocodile Rock Official Audio (2011 upload, 5M+ views)

David Bowie's Ziggy Stardust Triumph at Santa Monica '72On October 20, 1972, David Bowie performed at the Civic Auditorium in Santa Monica, California, during his Ziggy Stardust Tour, a pivotal moment in his career. This concert, part of his first major U.S. tour, showcased Bowie as Ziggy Stardust, his androgynous, alien rock star persona, backed by the Spiders from Mars band: Mick Ronson (guitar), Trevor Bolder (bass), and Woody Woodmansey (drums). The performance captured Bowie at the height of his early glam rock phase, blending theatricality with raw energy, and is considered a landmark show for its influence on rock performance art. The setlist included tracks from *The Rise and Fall of Ziggy Stardust and the Spiders from Mars* (1972), such as "Suffragette City," "Ziggy Stardust," and "Five Years," alongside songs from *Hunky Dory* (1971) like "Life on Mars?" and covers such as Jacques Brel’s "My Death." The concert was notable for its intimate yet electrifying atmosphere, with Bowie’s charismatic stage presence and the band’s tight musicianship captivating the audience. The performance was recorded by KMET FM, a Los Angeles radio station, for a live broadcast. This recording later surfaced as a bootleg album, *Santa Monica ’72*, which circulated among fans for decades. The bootleg’s popularity stemmed from its high-quality sound and the iconic status of the performance, capturing a raw, unpolished Bowie before his global superstardom. In 1994, the recording was released as a semi-legal album by Golden Years Records, but it wasn’t until June 30, 2008 (UK) and July 22, 2008 (US) that an official release, *Live Santa Monica ’72*, was issued by EMI. The official release was remastered from the KMET FM tapes, offering superior sound quality. The album features 18 tracks, including: - "Hang On to Yourself" - "Ziggy Stardust" - "Changes" - "The Supermen" - "Life on Mars?" - "Five Years" - "Space Oddity" - "Andy Warhol" - "My Death" - "The Width of a Circle" - "Queen Bitch" - "Moonage Daydream" - "John, I’m Only Dancing" - "Waiting for the Man" (Velvet Underground cover) - "The Jean Genie" - "Suffragette City" - "Rock ’n’ Roll Suicide" - "Round and Round" (Chuck Berry cover, bonus track on some editions) The official release was praised for its historical significance, showcasing Bowie’s theatrical evolution and the Spiders’ dynamic interplay. Critics noted Mick Ronson’s searing guitar work and the band’s ability to balance glam flamboyance with rock grit. The album peaked at #74 in the UK Albums Chart and remains a fan favorite for capturing a defining moment in Bowie’s career. The Santa Monica show also holds cultural weight as one of the earliest U.S. performances to cement Bowie’s reputation as a groundbreaking artist. It was attended by music industry figures and celebrities, amplifying its legend. The recording’s journey from radio broadcast to bootleg to official release mirrors Bowie’s own rise from cult figure to global icon.

A Psychedelic Rock Reissue Jeff Beck’s “Hi Ho Silver Lining” 7-inch vinyl single, was released in the UK on October 20, 1972, on RAK Replay (catalogue: RR 3). Backed with “Beck's Bolero” and “Rock My Plimsoul,” this reissue of his 1967 hit, with the added track of “Rock My Plimsoul, written by Scott English and Larry Weiss, capitalized on Beck's growing legend. Produced by Mickie Most, the A-side's upbeat psychedelic rock with strings and bells peaked at No. 17 on the UK Singles Chart for 11 weeks. Housed in a die-cut paper sleeve, it's a collectible snapshot of Beck's Yardbirds-to-solo evolution. "Hi Ho Silver Lining" is a rock song, written by American songwriters Scott English and Larry Weiss and first released as a single in March 1967 by English band the Attack, then a few days later by Jeff Beck. The Attack's version failed to chart, while Beck's recording reached the top 20 of the singles chart in his native Britain in both 1967 and 1972, becoming his biggest solo hit. Beck's single failed to crack the Billboard Hot 100 in the United States, however. The song is popular with fans of numerous football clubs in the United Kingdom, including Aston Villa, Sheffield Wednesday, and Wolverhampton Wanderers, where it is often chanted by spectators. During the chorus, the words 'silver lining' are usually replaced with the name of the football club in question. Background Songwriters English and Weiss started writing a song together, with a chorus of "Hi ho silver lining", but no verses. When producer Mickie Most heard their early version, he suggested that it would be a hit and persuaded English to complete the lyrics. According to writer and musician Bob Stanley, English wanted to record a finished version of the song himself, so decided to deter Most by writing "the most unusable, stupid lyric he could think up, about flies in pea soup and beach umbrellas". To English's chagrin, Most liked the song, and had Jeff Beck record it. Jeff Beck version In May 1967, Beck's version peaked at No. 14 (for three consecutive weeks) on the UK Singles Chart during a then lengthy 14-week run. The single spent a further 11 weeks on the chart when reissued in the autumn of 1972, peaking at No. 17 (for three consecutive weeks) in December. In the U.S., Beck's single (released as "Hi-Ho Silver") peaked at No. 123 in May 1967. The song was not included on Beck's album Truth when first released in 1968, but featured as a bonus track on the 2006 reissue. In 1983, in an all-star jam with Steve Winwood and Simon Phillips, Beck performed "Hi Ho Silver Lining" live at the ARMS Charity Concert, a charity benefit show for multiple sclerosis, at London's Royal Albert Hall. The song was resurrected for the Together and Apart Japanese and U.S. tours with Eric Clapton in 2009 and 2010. According to Kate Mossman, writing in the New Statesman, Beck "has likened 'Hi Ho Silver Lining' to having a pink toilet seat hung around your neck for the rest of your life." Single Overview Label: RAK – RR 3 Series: RAK Replay – RR 3 Format: Vinyl, 7", 45 RPM, Single, Reissue, Repress Country: UK Released: 1973 A Hi Ho Silver Lining Drums [Uncredited] – Clem Cattini Written-By – Scott English B Bolero Bass Guitar [Uncredited] – John Paul Jones Drums [Uncredited] – Keith Moon Electric Guitar – Jeff Beck Electric Guitar [12 String] [Uncredited] – Jimmy Page Piano [Uncredited] – Nicky Hopkins Written-By – Jeff Beck B2 Rock My Plimsoul Written-By – Rod* Personnel Jeff Beck – guitars, vocals John Paul Jones – bass guitar Clem Cattini – drums Rod Stewart – backing vocals Mickie Most – producer UK Releases Format: Vinyl, 7", 45 RPM, Single, Promo, Reissue Label: RAK – RR 3 Country: UK Released: 1973Format: Vinyl, 7", 45 RPM, Single, Reissue, Repress, Push-Out Centre Label: RAK – RR 3 Series: RAK Replay – RR 3 Country: UK Released: 1973 Format: Vinyl, 7", 45 RPM, Single, Reissue, Solid Center Label: RAK – RR 3 Series: RAK Replay – RR 3 Country: UK Country Variations France - RAK - 1972 Germany - Columbia - 1972 Portugal - Columbia - 1972 Australia - RAK - 1973 UK - RAK Replay - 1982 Chart Peak Position Australia 25 Ireland 17 Netherlands 12 Netherlands 12 New Zealand 4 UK 15 UK 12 UK 23 UK Singles 14 US Billboard Bubbling Under Hot 100 23 Have you snagged this Beck classic in your vinyl collection? Does “Hi Ho Silver Lining” still shine? Share in the comments!

Crazy in the Music Scene The Glam Rock Freebie Hit Slade’s “The Whole World's Goin' Crazy” 7-inch flexi disc single, was released in the UK on October 20, 1972, as a free insert with the first issue of Music Scene magazine. Backed with “Bonnie Charlie” by Mike Hugg, this high-energy glam rock track, written by Noddy Holder, was a taster from the soon to be released album Slayed?. Produced by Chas Chandler, the A-side’s anthemic chant and stomping rhythm captured Slade’s infectious joy, while the B-side offered a contrasting folk-pop vibe. As a promo freebie, it did not chart. Distributed with Music Scene (published on the third Friday of each month), it’s a rare collectible for Slade enthusiasts. Single Overview A-Side: “The Whole World’s Goin’ Crazy” spelt correct not like on the album "The Whole World's Goin' Crazee" (3:37, Noddy Holder) A raucous glam stomper with pounding drums, Holder’s exuberant vocals, and lyrics celebrating rock 'n' roll chaos (“The whole world's goin' crazee, crazee, crazee”). Recorded in 1972 at Olympic Studios, London, during Slayed? (November 1972) sessions. The A-side was produced by Chas Chandler. The lineup featured Noddy Holder (vocals), Dave Hill (guitar), Jim Lea (bass, violin, backing vocals), and Don Powell (drums). Text taken from disc: Slade All rights Polydor This is a sneaky earful of a track from the next Slade album 'Slayed' (Polydor 2383 163) given to you by Music Scene November issue 1972 33+ RPM The whole world's going crazy Composed by Holder, published by Barn Music, produced by Chas Chandler for Barn Productions - For better reproduction quality, get the album! Any copying of this record is prohibited SFI 122A Made in England by Sound for Industry - B-Side: “Bonnie Charlie” (N/A, Mike Hugg, David Heath-Hadfield) A folk-pop track by Mike Hugg (of Manfred Mann), offering a melodic contrast to Slade’s glam energy. Produced by EMI, it added variety to the flexi disc’s appeal. 33+ rpm Text taken from disc: This is a sample track from Mike Hugg's Polydor album 2383 140 'Somewhere' given to you by Music Scene November issue 1972. Bonnie Charlie Composed by Mike Hugg, published by Hugg Music, produced by David Heath-Hadfield. For better reproduction, get the album! Polydor SFI 122B Made in England by Sound for Industry All rights and copying of this record prohibited Note: Slade’s 1972 singles included “Mama Weer All Crazee Now” (No. 1, August 26, 1972, 14 weeks) and “Gudbuy T’Jane” (No. 2, November 18, 1972, 10 weeks), but as a free flexi disc, “The Whole World’s Goin’ Crazee” wasn’t eligible for charts. Have you unearthed this Slade flexi in your collection? Does “The Whole World’s Goin’ Crazee” get you jumping? Share in the comments!

Article over two pages in Bravo magazine October 18, 1972. Marc Bolan... Continued A lot of fuss about Marc Bolan. Here he answers his enemies. Judge for yourself whether his critics Does Marc Bolan have a flaw? T. Rex star Marc Bolan has many faces. Sometimes he sells himself as a sorcerer, sometimes as a romantic hero, pop star, poet. Only a few know what he's really like. But many are dazzled by his peacock-like appearance, cheer him on, or insult him. What do his enemies have against Marc Bolan? His answers speak for themselves... Accusation No. 1: Marc Bolan is a sex monkey and groupie hunter! Marc Bolan on this: "I'm a sex symbol. I seem sexier than Tarzan or Robin Hood. I wonder how a guy like Tarzan can even seduce a girl. I love to drive people into ecstasies. The girls climb the stage and try to undress me. I find this atmosphere neither vulgar nor obscene. I want to make one thing clear: I love my role as a sex idol very much. But I'm not a sex monkey. I don't intend to abuse my charisma to make babies of all the groupies who throw themselves at me. I'm not a green boy. I had my first girl when I was ten. But I'm not a pig!" Accusation No. 2: Marc Bolan is too effeminate! Marc Bolan on this: "My wife June receives letters asking her if she doesn't finally want to divorce me. It's impossible to live with a homosexual. Others say I'm having an affair with Mickey Finn. Just because I love my fur coats, satin trousers, makeup, and wild curls, they accuse me of this. Just because I have narrow hips and no hair on my chest. Causing a stir and wearing crazy clothes - that's just part of my job. If I were a civil servant, I'd probably act differently. I can only assure you that I'm completely normal." Accusation No. 3: Marc Bolan is a show-off! Marc Bolan on this: "It's wonderful to satisfy your whims with money. At Harrods, the exclusive London department store where you can find absolutely everything T. Rex boss has his rights! I once wanted to order a young rhinoceros. I thought that maybe the sight of it would inspire me to come up with some good songs. And at some point I bought myself a white Rolls-Royce, even though I don't have a driver's license. The Rolls is a kind of work of art to me. Maybe that's showing off. Well, please. It's my business, because I still don't charge my fans more than 75 pence (about 6.50 marks) for tickets. Accusation No. 4: Marc Bolan is egocentric Marc Bolan on this: "I was once a dishwasher and a model, sometimes an actor. Now I'm somebody. I'm Marc Bolan, the boss of T. Rex. Why is it only me and Mickey Finn who get the spotlight with T. Rex? That's enough, isn't it? I don't want interviews with Bill Legend or Steve Currie just because they're musicians with T. Rex. T. Rex are mainly a means to an end to emphasize my lyrics. I need Mickey on stage. He's important. There's no discussion about that order. I know who I am and what I can do. Does that make me self-centered? Now I've said it all—now judge me for yourself!"

Rod Stewart's "Never a Dull Moment" remains at the number one position in the NME British album chart as published in New Musical Express, October 14, 1972. Rod Stewart released Never a Dull Moment  in July 1972, his fourth solo album, on Mercury Records. Following the success of Every Picture Tells a Story , this album solidified Stewart’s blend of rock, folk, and soul, showcasing his raspy vocals and knack for storytelling. Recorded at Morgan and Olympic Studios in London, it was produced by Stewart with contributions from Faces bandmates Ron Wood and Ian McLagan, plus guitarist Martin Quittenton. Standout tracks include “You Wear It Well” (#1 UK, #13 US Billboard Hot 100) and a cover of Jimi Hendrix’s “Angel,” blending originals with covers like Etta James’ “I’d Rather Go Blind.” The album hit #1 on the UK Albums Chart for two weeks, #2 on the US Billboard 200, and sold over 2 million copies worldwide by 2025. Critically praised for its loose, rootsy vibe, it captured Stewart’s peak as a solo artist before his transatlantic shift. Its mix of rollicking rockers and heartfelt ballads remains a fan favorite

David Bowie's "For The Collector Early David Bowie" 7-inch vinyl EP, was released in the UK on October 6, 1972 as a budget reissue by a Pye-affiliated label. This four-track EP gathered three A-sides and one B-side from his mid-1960s Pye Records singles, offering a glimpse into his pre-fame mod-pop days before the iconic “Space Oddity.” Lacking a formal title on the labels, with just “Early David Bowie” on the cover, it’s a rare snapshot of Bowie’s formative years, showcasing his raw talent and Swinging London influences. EP Overview Side A1: “Do Anything You Say” From Bowie’s second solo single (April 1966, Pye 7N 17079), a lively mod rocker with session musicians backing his youthful vocals. Produced by Tony Hatch, it aimed for chart-friendly pop but didn’t break through. Side A2: “I Dig Everything” The A-side of his final Pye single (August 1966, Pye 7N 17157), a cynical ode to London’s teen scene with Hammond organ and flute accents. Session players replaced Bowie’s band, the Buzz, under Hatch’s direction. Side B1: “Can’t Help Thinking About Me” (David Bowie And The Lower Third) From his debut single as “David Bowie And The Lower Third” (January 1966, Pye 7N 17020), a raw, angsty track with gritty guitars. It marked his name change from Davy Jones to David Bowie. Side B2: “I’m Not Losing Sleep” The B-side to “I Dig Everything” (August 1966), a defiant retort to success and betrayal with guiro percussion and reverbed vocals, boasting rags-to-riches bravado in a glossy mod style. Release Details: Label: Pye or affiliated reissue label (UK pressing). Format: 7-inch vinyl EP, 45 RPM. Notes: Labeled simply “Early David Bowie” on the cover, this EP compiled 1966 singles, capturing Bowie’s commercial struggles before his Deram era and eventual stardom. Production and Context Produced by Tony Hatch at Pye Studios, London, these tracks used session musicians to achieve radio-ready polish, sidelining Bowie’s bands like the Lower Third and the Buzz. “Do Anything You Say” and “I Dig Everything” reflect his mod-pop phase, while “Can’t Help Thinking About Me” and “I’m Not Losing Sleep” hint at the outsider persona that would define his later work. The EP was issued as Bowie’s fame grew with Ziggy Stardust, appealing to fans curious about his roots. Legacy and Collectibility None of these singles charted in their day, but they foreshadowed Bowie’s lyrical depth and versatility. Later reissued on CDs like I Dig Everything: The 1966 Pye Singles (2000) and revisited in his unreleased 2000 Toy sessions, these tracks hold historical weight. Original 1972 EPs with UK pressings prized for authenticity. Stream them on Spotify to hear Bowie’s mod-era charm in crisp digital form. This EP is a collector’s treasure, unearthing David Bowie’s gritty beginnings before his cosmic rise. Do you have this early Bowie EP in your vinyl stash? Which track captures his ‘60s spirit best? Share in the comments!

Alice Cooper Group’s Portrait feature, published in Bravo magazine on October 4, 1972.

Mott The Hoople’s All the Young Dudes  album review, along with a live advertisement and Dunstable concert review, published in New Musical Express  on September 23, 1972.

T.Rex’s Poster feature, published in Pop magazine on September 7, 1972.

Alice Cooper Group's "School's Out" remains a non-mover at the number one position on the Record Mirror / BBC chart as published in Record Mirror, September 2, 1972. The Alice Cooper Group released "School's Out" in April 1972 as the lead single from their fifth studio album, School's Out, on Warner Bros. Records. Written by Alice Cooper and guitarist Michael Bruce, the rebellious glam-rock anthem captures teenage defiance with its crunchy guitar riffs, driving rhythm, and Cooper’s sneering vocals. Produced by Bob Ezrin at The Record Plant in New York, it features the band—Michael Bruce, Glen Buxton, Dennis Dunaway, and Neal Smith—along with Ezrin’s production flair, including children’s chants for the iconic chorus. The song’s anti-establishment vibe resonated widely. "School's Out" hit #1 on the UK Singles Chart for three weeks, reached #7 on the US Billboard Hot 100, and charted strongly across Europe, including #3 in Ireland. It sold over a million copies globally, becoming the band’s signature hit and a perennial summer anthem. Its raw energy and theatrical edge solidified Alice Cooper’s shock-rock legacy.

On August 30, 1972, T. Rex, led by Marc Bolan, pre-recorded their performance of "Children of the Revolution" at BBC Television Centre for a Top of the Pops broadcasts that aired in September. The song was featured on three September broadcasts of the show: two with a recorded performance on September 14 and 28, and one where the song played over the charts on September 21. This performance was part of the promotional push for the single, released on September 8, 1972, which reached number 2 on the UK Singles Chart and topped the Melody Maker and New Musical Express charts. The recording took place at Strawberry Studios, Château d’Hérouville, France, earlier that month on August 3, with demo versions captured from Bolan’s own tapes. The Top of the Pops performance featured the band miming to the single version, produced by Tony Visconti, with band members Marc Bolan, Mickey Finn, Steve Currie, and Bill Legend. Notably, this single version was distinct from earlier recordings for the film Born to Boogie, which included Elton John on piano and Ringo Starr on drums. The performance was a key moment in the "T. Rextasy" phenomenon, showcasing Bolan’s glam rock charisma, with photos from this Top of the Pops appearance later used for promotional materials

David Bowie’s Rainbow Theatre Review one-page article in Melody Maker, August 26, 1972.

Marc Bolan's One-Page Cover Bravo Magazine, August 16, 1972.