A pirate‑radio legacy meets glam‑rock rebellion — Bowie’s “Rebel Rebel” becomes a Dutch pop‑culture landmark.

A skeleton suit, a satanic ritual, and a rock star out of his element — Alice Cooper’s cameo is a perfect snapshot of early‑’70s pop‑culture surrealism.

Marc Bolan & T. Rex’s Zinc Alloy (1974) — a glam‑funk experiment that pushed Bolan into bold new territory.

The rare 1,500‑copy “Creamed Cage” edition preserves John Kosh’s original vision for Zinc Alloy.

Elton John’s “Candle in the Wind,” released on February 22, 1974, peaked at No. 11 in the UK and was paired with “Bennie and the Jets” as its B‑side.

A short industry report announcing the Village People’s new version of “Just a Gigolo,” released to coincide with David Bowie’s forthcoming film of the same name.

A bold, high‑contrast advert proclaiming the arrival of Disc’s Music Poll Awards 1974 issue — promising readers the top stars, best singles, and favourite DJs as chosen by the public.

Released in January 1974, Alice Cooper’s Teenage Lament ’74 peaked at No. 12 in the UK and stands as a theatrical glam‑rock highlight from the Muscle of Love era.

A dramatic, full‑bleed two‑page portrait of David Bowie, published as the centrepiece of Disc’s 1974 Music Poll Awards issue, honouring his dominance across multiple categories.

A three‑part Disc presentation: Alice Cooper on the cover, a chaotic and humorous feature inside, and a full‑page Warner Bros. advert crowning the group as “Top International Group.”