Released as the lead single from *Avalon*, “More Than This” arrived in late March 1982, marking the beginning of Roxy Music’s final studio era. Written by Bryan Ferry during sessions shaped by the Atlantic isolation of western Ireland, the track blends soft‑rock, synth‑pop, and sophisti‑pop textures. Its unusual structure — with Ferry’s vocals ending nearly two minutes before the fade — gives the song its dreamlike, suspended quality. The single became Roxy Music’s last UK To

Young and Rich was released on April 1, 1976 in the United States and Canada on A&M Records (SP‑4580). The album expanded The Tubes’ ambitious art‑rock vision with denser arrangements, sharper satire, and a more polished studio sound.

A sprawling, theatrical four‑page Circus Magazine deep‑dive into Genesis at the height of their Gabriel‑era surrealism — a portrait of a band balancing ambition, eccentricity and the growing pains of cult stardom. Circus Magazine Date: December 1, 1974 Format: Four‑page feature A moment of masks, metamorphosis and art‑rock intensity. 📰 Key Highlights • Peter Gabriel discusses his stage personas and early life • Genesis reflect on their evolution from school‑band obscurit

A full-page New Musical Express advertisement promoting Roxy Music’s new album *Country Life*. Roxy Music — New Album Country Life. New Musical Express Date: November 16, 1974 Length: 3 min read 📰 Key Highlights • Iconic and controversial black-and-white cover image featuring two models in minimal clothing against a jungle backdrop • Bold “ROXY MUSIC” logo in red and white at the top • Elegant script title “Country Life” • Catalogue numbers for album (ILPS 9303), ca

A stylish 1974 Circus Magazine profile celebrating Bryan Ferry as the sophisticated, art-school dandy at the helm of Roxy Music’s glamorous sound. The ultimate smooth operator of glam — part crooner, part conceptual artist, all impeccable taste. Circus Magazine Date: November 1, 1974 Length: 5 min read 📰 Key Highlights • In-depth look at Bryan Ferry’s solo career and artistic vision • Discussion of his covers album *These Foolish Things* • Exploration of Roxy Music’s

A vibrant, urgent burst of art‑rock glamour, “All I Want Is You” captures Roxy Music at their mid‑’70s peak — stylish, melodic, and effortlessly sophisticated. Released on October 4, 1974, “All I Want Is You” arrived as the lead single from Roxy Music’s fourth studio album *Country Life*. Issued by Island Records under catalogue number WIP 6208, the single paired Bryan Ferry’s dramatic vocal delivery with Phil Manzanera’s razor‑sharp guitar work and the band’s signature blend

Published on January 31, 1974, this *Music Scene* article explores Roxy Music during a transitional phase. While the band continued to draw intense loyalty from their growing fanbase on the road, critics remained reserved, creating an interesting tension around one of glam rock’s most stylish and artistic acts.

A full-page Island Records advertisement promoting Roxy Music’s album *Stranded* and the new single “Street Life”. Roxy Music ‘Stranded’ ILPS 9252 — A new single “Street Life” WIP 6173. Sounds Date: November 17, 1973 Length: 3 min read 📰 Key Highlights • Dramatic black-and-white image of a woman lying in dense jungle foliage • Bold red-and-white “ROXY MUSIC ‘STRANDED’” headline • Catalogue number ILPS 9252 for the album • Announcement of the new single “Street Life”

A full-page Melody Maker thank-you advertisement from Roxy Music celebrating their strong showing in the 1973 readers’ pop poll. Roxy Music wish to thank all readers of the Melody Maker who voted them into ten places in this year’s pop poll. Melody Maker Date: October 13, 1973 Length: 3 min read 📰 Key Highlights • Large, bold “ROXY MUSIC” headline in distinctive brush-stroke lettering • Detailed list of the band’s poll positions in both British and International secti

A colourful, surreal one-page feature in Circus magazine recounts the infamous meeting between Roxy Music and Salvador Dalí in Paris, where the band hoped for artistic inspiration but ended up with a chaotic, disappointing encounter. The piece blends dry humour with vivid description of the eccentric evening, including a drunken Lloyd Watson climbing out onto a ledge. This August 1, 1973 Circus article captures Roxy Music at the height of their early art-rock mystique, playfu