top of page



📰 Single‑Minded – Article : Jan. 1975
A two‑page Beetle magazine feature examining the mid‑’70s British singles scene through the lens of Top of the Pops, teen‑press culture and the evolving landscape of UK pop. Framed as a commentary on the tastes of young record‑buyers, the article explored the rise of glam‑era acts, the power of fan magazines and the shifting dynamics of chart success. Publication: Beetle Date: January 1, 1975 Format: Two‑page article Writer: Beetle Magazine A moment of pop‑culture observat

glamslam72
Jan 2, 19752 min read
Â
Â
Â


📰Brian Connolly - Music Star – Cover: Mar. 1974
A bright, fan‑friendly snapshot of the artists who defined Britain’s pop landscape in early 1974.

Sweet
Mar 23, 19743 min read
Â
Â
Â


📰 Disc – Music Poll Awards 1974 Issue Advert
A bold, high‑contrast advert proclaiming the arrival of Disc’s Music Poll Awards 1974 issue — promising readers the top stars, best singles, and favourite DJs as chosen by the public.

glamslam72
Feb 16, 19742 min read
Â
Â
Â


📰 Dana Gillespie – Topics Profile: Feb. 1974
A lively, provocative profile presenting Dana Gillespie as a flamboyant, magnetic performer — Bowie’s early muse, RCA artist, and rising theatrical talent.

David Bowie
Feb 16, 19742 min read
Â
Â
Â


đź“° Seven Seas of Rhye Single Article: Feb. 1974
A short but pivotal announcement: Queen’s new single “Seven Seas of Rhye” arrives February 25, previewing the forthcoming Queen II album and marking the band’s first major chart breakthrough.

Queen
Feb 16, 19742 min read
Â
Â
Â


📰Pop News, Singles & Stage Shots – Mar. 1973
A colourful BRAVO magazine spread featuring stage photography, pop‑news snippets, new single announcements, and editorial commentary in a collage‑style layout.

Alice Cooper Group
Mar 15, 19734 min read
Â
Â
Â


📰 RM Predicts the New Year Honours‑Article : Jan. 1973
A lively Record Mirror roundup surveying musicians, hit‑makers and industry voices for their predictions on who will rise, fall or dominate in 1973 — a snapshot of pop optimism, glam‑era uncertainty and shifting musical tides. Record Mirror Date: January 6, 1973 Format: One‑page article A moment of crystal‑ball gazing, chart speculation and early‑’70s pop prophecy. 📰 Key Highlights • Justin Hayward predicts a strong year for British music and tips David Bowie • Francis Ros

T.Rex
Jan 6, 19732 min read
Â
Â
Â


📰 Brian Pulls The Curtains‑Article : Jan. 1973
A stylish early‑’73 Disc profile examining Roxy Music’s sudden rise, their art‑school sensibility and Bryan Ferry’s magnetic, meticulous creative force — a snapshot of the band just as they were becoming one of Britain’s most original new acts. Disc Magazine Date: January 1, 1973 Format: One‑page article A moment of art‑rock invention, theatrical flair and rapid ascent. 📰 Key Highlights • Focus on Roxy Music’s breakthrough year and growing reputation • Bryan Ferry presente

Roxy Music
Jan 1, 19732 min read
Â
Â
Â


📰 The Raver: Alice Cooper’s Quiet Landing‑Column : Nov. 1972
A wry, tongue‑in‑cheek Melody Maker Raver column noting Alice Cooper’s surprisingly low‑key arrival in London — no hysteria, no mob of fans, just a chilly Heathrow morning and a band determined to make their own noise once they reached their hotel. Melody Maker Date: November 11, 1972 Format: One‑page column A moment of deadpan humour, glam‑era spectacle and classic Raver mischief. 📰 Key Highlights • Alice Cooper arrives at Heathrow to an unexpectedly quiet reception • MM’

Alice Cooper Group
Nov 11, 19722 min read
Â
Â
Â


📰 Walk And Talk It – Single Review : Aug. 1972
A one‑page New Musical Express review of Lou Reed’s “Walk And Talk It,” delivered with NME’s trademark mix of satire, character‑voice humour and sharp cultural commentary. The piece framed Reed’s early solo work through a playful, mock‑nostalgic anecdote before pivoting into a wry assessment of the track’s Stones‑leaning swagger and Reed’s evolving post‑Velvets persona. Publication: New Musical Express Date: August 5, 1972 Format: One‑page single review Writer: NME A momen

Lou Reed
Aug 5, 19722 min read
Â
Â
Â
bottom of page
