A stark, atmospheric Popswop portrait capturing Alice Cooper in a contemplative pose — a quiet counterpoint to the theatrical chaos of the band’s stage persona.

A playful, personality‑driven PopFax profile capturing Dave Hill’s style, humour, and glam‑rock identity through rapid‑fire facts and a bold monochrome portrai

A trio of key updates from the February 10, 1973 NME: The Sweet secure a major Rainbow Theatre headliner, Elton John expands his upcoming tour, and Lou Reed confirms a new run of UK dates.

A sharp, conflicted review of Lou Reed’s Alice Tully Hall performance — a night where the audience adored him, the band lagged behind, and the critic left wanting something darker, stranger, or simply more alive.

A sharp, revealing snapshot of Genesis on the rise in early 1973 — balancing theatrics, musicianship, and a growing European following as they stepped into their most defining era.

A rare moment where Alice Cooper’s theatrical peak intersects with British music‑press frenzy. This 1973 NME issue captures the band’s cultural momentum, complete with a three‑page feature and an exclusive single pressed solely for readers

Nick Kent dives into the chaotic, candy‑coloured world of The Sweet — a band caught between glam‑rock frivolity and the gritty realities of touring, image, and expectation.

A brief but energetic NME announcement marking Slade’s return from Australia and the launch of their next chart‑bound single, “Cum On Feel The Noiz,” alongside fresh UK and European tour plans.

A politically charged week in British music: unions rally behind the Strawbs, T. Rex prepare for a world tour with no UK dates, and Slade gear up for another chart assault.

A rare mid‑1972 appearance by David Bowie at the Royal Festival Hall, performing as part of the Friends of the Earth “Save the Whale” benefit. This event brought Bowie onto a prestigious London stage just weeks after the release of The Rise and Fall of Ziggy Stardust and the Spiders From Mars, capturing Ziggy at a moment of rising national attention.