Released in the UK on November 16, 1974, Slade’s “Merry Xmas Everybody” was reissued as a 7-inch vinyl single on Polydor (2058 422), this time housed in a unique picture sleeve tied to the promotion of *Slade In Flame*. Backed with “Don’t Blame Me,” both tracks were written by Noddy Holder and Jim Lea and produced by Chas Chandler. Although the original 1973 release had been a No. 1 smash, this 1974 repress did not chart. Issued in a plastic injection solid-centre pressing, t

Released in the UK on October 11, 1974, Slade’s “Far Far Away,” backed with “O.K. Yesterday Was Yesterday,” appeared as a 7-inch vinyl single on Polydor Records (2058 522). Written by Noddy Holder and Jim Lea, the track was drawn from the soundtrack album *Slade in Flame*, released the following month. A wistful, reflective glam‑rock ballad, it showcased a more mature side of the Wolverhampton band, contrasting sharply with their earlier, rowdier anthems. Holder’s evocative l

A vibrant Music Star cover and feature spotlighting Slade’s flamboyant guitarist Dave Hill, celebrating his larger-than-life image and the band’s continued dominance in the glam rock scene. Dave Hill — the glittering, mirror-balled showman of Slade — takes centre stage. Music Star Date: July 6, 1974 Length: 4 min read 📰 Key Highlights • Dave Hill featured prominently on the Music Star cover • Focus on his extravagant stage outfits and wild hairstyle • Slade riding hi

Released in the UK on June 28, 1974, Slade’s “The Bangin’ Man,” backed with “She Did It to Me,” appeared as a 7-inch vinyl single on Polydor Records (2058 500). Written by Noddy Holder and Jim Lea, the track was a standalone non‑album single issued between *Old New Borrowed and Blue* and *Slade in Flame*. A high‑energy glam‑rock and power‑pop anthem driven by raucous guitars, thundering bass, and Holder’s unmistakable vocals, it entered the UK Singles Chart in early July, pea

A gritty, candid slice of mid‑70s rock reportage, this Slade feature captures the band at a moment of commercial dominance yet financial strain. The tone is raw, unvarnished, and unmistakably Slade. A shock‑headline look behind the glam‑rock curtain. Published during a period when Slade were one of Britain’s biggest live draws, this piece reveals the hidden costs of success: damaged venues, expensive production, and a commitment to keeping ticket prices low for fans. The arti

Slade soften the glitter glare with a chart‑bound ballad. (March 29, 1974)

A bold, graphic one‑page layout presenting the winners of the 1974 Disc Music Poll Awards — a vivid snapshot of the artists, albums, singles, and personalities who defined the year in British pop culture.

A lively, domestic‑set feature in which Dave Hill — Slade’s flamboyant guitarist — reacts to the band’s Disc Music Poll Awards triumphs with trademark charm, humour, and a few surprises from the Hill household.

Slade’s Old New Borrowed And Blue arrived on February 15, 1974, debuting at No. 1 on the UK Albums Chart. Produced by Chas Chandler, the album blends classic Slade stompers with piano‑driven singles that marked a shift in the band’s sound.

A straightforward Music Scene announcement confirming Slade’s major 30-date British concert tour in the early spring, marking their first full UK live appearances in almost eight months. Slade return to the road with a massive nationwide tour and a new album on the way. Music Scene Magazine Date: February 1, 1974 Length: 3 min read 📰 Key Highlights • Slade headline a 30-venue British spring tour • Tour expected to begin on or about April 19 • First two concerts set f