A chase across Europe, a silent star, and a press corps left grasping at rumours — Bowie’s Berlin era was as much about absence as presence.

Published in February 1977, Circus Magazine devoted its cover and a four‑page feature to David Bowie’s Low, examining his move to Europe, his collaboration with Brian Eno and Tony Visconti, and the avant‑garde shift that reshaped his music and persona.

On 18 March 1976, David Bowie appeared on screen not as a performer but as a presence — pale, luminous, and untethered — turning The Man Who Fell to Ear

A candid Bowie in Detroit — weary, razor‑sharp, and already preparing to reinvent himself once again.

A stark, cinematic advert announcing Bowie’s most enigmatic persona — the Thin White Duke stepping into the American spotlight.

Published in February 1976, this Melody Maker feature captures David Bowie at a moment of transition — promoting The Man Who Fell to Earth, considering a major role in The Eagle Has Landed, planning a full European tour, and declaring ambitions that ranged from filmmaking to politics.

A dramatic one‑page Scrapbook advert from February 21, 1976 promoting Bowie’s Station to Station — an album of towering ambition released alongside his starring role in The Man Who Fell to Earth.

Published February 23, 1975, this New Musical Express feature captures Bowie in one of his most unfiltered interviews — discussing extraterrestrials, authoritarian symbolism, and the manipulation of mass consciousness while surrounded by his entourage in a U.S. hotel suite.