The Tony Visconti ’87 Remix of “Children of the Revolution” entered the UK Singles Chart on February 22, 1987, supported by multiple formats including a shaped picture disc.

An eight‑page Melody Maker special tracing Bowie’s journey from Brixton roots to Berlin reinvention, blending exclusive interviews, film‑set reportage, and reflections on fame, creativity, and the Eno–Visconti era.

Published in February 1977, Circus Magazine devoted its cover and a four‑page feature to David Bowie’s Low, examining his move to Europe, his collaboration with Brian Eno and Tony Visconti, and the avant‑garde shift that reshaped his music and persona.

A secondary excerpt highlighting the advert’s role in reintroducing Bowie’s early, heavier sound to a rapidly expanding 1974 audience — a reminder that the foundations of his later fame were already firmly in place.

A detailed Record Mirror feature exploring Tony Visconti’s rise as one of pop’s most influential behind‑the‑scenes figures, with special focus on his creative partnership with Marc Bolan.

The final Tyrannosaurus Rex album — and the first spark of Bolan’s electric future.

In early 1968, Tony Visconti walked into Middle Earth and saw a duo unlike anything he had encountered in London’s psychedelic underground. Marc Bolan and Steve Peregrin Took sat cross‑legged on the floor, weaving strange, hypnotic songs over hand‑drummed rhythms. That night, Visconti approached Bolan, offered his card, and unknowingly set the stage for one of the most important producer‑artist relationships of the era