The Tony Visconti ’87 Remix of “Children of the Revolution” entered the UK Singles Chart on February 22, 1987, supported by multiple formats including a shaped picture disc.

A concise but tantalising NME news break announcing that David Bowie’s first major live album of the mid‑’70s was officially in the works — mixed, nearly ready, and shaped once again by trusted collaborator Tony Visconti. New Musical Express Date: August 31, 1974 Length: 2 min read A snapshot of Bowie in transition: shifting from the theatrical sprawl of the *Diamond Dogs* tour toward the sleek, soulful direction that would define his mid‑’70s reinvention. A moment of anti

A secondary excerpt highlighting the advert’s role in reintroducing Bowie’s early, heavier sound to a rapidly expanding 1974 audience — a reminder that the foundations of his later fame were already firmly in place.

The piece captures a moment when producers were becoming as culturally influential as the artists they shaped, with Visconti positioned as a quiet architect behind some of the era’s most defining sounds.

A detailed Record Mirror feature exploring Tony Visconti’s rise as one of pop’s most influential behind‑the‑scenes figures, with special focus on his creative partnership with Marc Bolan.

A richly detailed portrait of Tony Visconti at the height of his creative partnership with Marc Bolan, revealing the craft, intuition, and discipline behind T. Rex’s signature sound. The article blends studio insight with personal perspective. A study in how a producer’s ear, temperament, and technical fluency can shape an entire musical era. Visconti emerges as both architect and interpreter — a figure whose quiet precision helped define the glam‑rock vocabulary of the early