Glam Slam Chronicles (Everything)

A Melody Maker Bowie Berlin Release Published in the UK on January 15, 1977, Melody Maker’s one-page advert announced the release of David Bowie’s new album Low — out that Friday, January 14. Produced by Bowie and Tony Visconti, recorded at Château d'Hérouville in France and Hansa By The Wall in Berlin, featuring Brian Eno (tapes, synthesisers, ARPs), George Murray (bass), Dennis Davis (percussion), Carlos Alomar and Ricky Gardiner (guitar), Roy Young (piano, organ), and Iggy

Marc & Gloria's City Port B-Side Released as a 7-inch vinyl single in the UK on January 14, 1977, on EMI Records (catalogue: EMI 2572), Marc Bolan & Gloria Jones’ “To Know Him Is To Love Him” — backed with “City Port” — was a soulful glam cover of the 1958 Phil Spector classic. Produced by Marc Bolan, this tender duet showcased Bolan’s softer side and Gloria Jones’ powerful vocals. Artist: Marc Bolan and Gloria Jones Label: Ariola Country: Germany Cat

A Berlin Trilogy Ambient Masterpiece Released as a vinyl LP in the UK on January 14, 1977, on RCA Victor (catalogue: PL 12030), David Bowie’s Low — the first of his Berlin Trilogy — was a groundbreaking ambient/experimental rock album. Produced by Bowie & Tony Visconti at Château d’Hérouville and Hansa Tonstudios, this 11-track set featured “Sound And Vision,” “Be My Wife,” and the instrumental side B. side it peaked at No. 2 on the Official U.K. Albums Chart where it resided

Queen’s "Queen Win Their New Hit LP!" , a cover and one-page article in Look-In Magazine , January 1, 1977.

The newest poster with a blond mane! Sweet Mick Tucker New enlightenment in pictures: Young love, like a child Horoscope 77 What awaits you in the new year... Large music section with many groups Raimund Harmstorf as "Courier of the Tsar" Sweet Cover Bravo Magazine(Germany) December 30, 1976 No. 2 Dec. 30, 1976 - DM 1.20 for home delivery plus delivery fee · öS 10.00 - Lire 600 - €0.36 skr 3.50 incl. VAT Ptas 55, sfr 1.70 - Printed in Germany C 1917 CX

A Prog Rock Eleventh Earl Epic Released as a vinyl LP in the UK on December 23, 1976, on Charisma Records (catalogue: CDS 4005), Genesis’ Wind & Wuthering — their seventh studio album — was the last with Steve Hackett. Co-produced by David Hentschel & Genesis at Relight Studios (Holland) and remixed at Trident Studios, this 9-track prog masterpiece featured “Eleventh Earl Of Mar,” “One For The Vine,” and “Your Own Special Way.” Peaked at No. 7 on the UK Albums Chart for 22 we

Bolan brings the boogie to Christmas TV – glam’s festive finale! T. Rex performed a short three-song set at the Christmas Supersonic, which was held at The Royal Theatre, Drury Lane, London, on December 19, 1976. The songs played included “I Love To Boogie,” “The Soul Of My Suit,” and “New York City” (with only “New York City” being broadcast) on Christmas Day 1976. More Bolan festive magic added weekly

A Millionaire Waltz Glam Opera Released as a vinyl LP in the UK on December 10, 1976, on EMI Records (catalogue: EMTC 104 / 0C 066-98 485), Queen’s A Day At The Races — their fifth studio album — was the sequel to A Night At The Opera. Produced by Queen at Sarm East, Roundhouse, Olympic, Rockfield, Scorpio, and Lansdowne, this 10-track masterpiece featured “Somebody To Love,” “Tie Your Mother Down,” and “Good Old-Fashioned Lover Boy.” Peaked at No. 1 on the UK Albums Chart.

Gloria Jones’s Vixen  was released as an LP album in the UK by EMI Records (catalog number EMC 3159) on December 3, 1976. It features...

A Big Beat Glam-Pop Curiosity Released as a 7-inch vinyl single in the UK on December 3, 1976, on Island Records (catalogue: WIP 6358), Sparks’ “I Like Girls” was the final single from Big Beat . Backed with “England,” this re-recorded live favourite (A) and jaunty B-side did not chart in the UK or US — a commercial disappointment after the success of Kimono My House, Propaganda, and Indiscreet. Issued in the UK and Australia only. A quirky glam-pop footnote. Single Overview

Alice Cooper spills the secrets of villainy – magic, theatre, and why heroes are boring! Alice Cooper’s I’m Just a Natural Villain , a two-page feature in Hit Parader magazine, December 1, 1976. The article captures a candid conversation between Cooper and producer Richard Landis (recorded a couple of years earlier after a regular interview), where Alice describes himself as a “natural villain,” explains his aversion to heroism, and shares ideas shaping his evolving stage sho

Ferry steps out alone – Roxy’s crooner goes suave and sophisticated! Roxy Music’s The Solo Bryan, a four-page article in Hit Parader magazine, December 1, 1976.

A Street-Soul Soft Rock Whisper Released as a 7-inch vinyl single in the UK on November 26, 1976, on CBS Records (catalogue: S CBS 4842), David Essex’s “Ooh, Love” was a tender soft-rock ballad from Out On The Street . Backed with “The City,” both written by Essex and produced/arranged by Jeff Wayne for Ollie Record Productions, it did not chart in the UK. Issued in standard, promo, and Australian variants, it’s a warm ‘70s Essex moment. Single Overview Release Details Labe

A Beatles War Cover Conquest Released as a 7-inch vinyl single in the UK on November 19, 1976, on Riva Records (catalogue: RIVA 6), Rod Stewart’s “Get Back” was his powerhouse Beatles cover from the All This And World War II soundtrack. Backed with “Trade Winds” from A Night On The Town , the A-side — co-produced by Lou Reizner & Rod Stewart — stormed to No. 11 on the UK Singles Chart for 9 weeks. Pressed by CBS Aston Clinton with solid centre and knock-out centre variants,

Stewart’s Sing It Again re-released as a 7-inch maxi-single in the UK on November 19, 1976 on Mercury (catalogue: 6160 006) Rod Stewart’s “Maggie May” was backed with “You Wear It Well” and “Twistin’ The Night Away,” this timeless folk-rock anthem and double B-side all from the album Sing It Again Rod , were issued in an accordingly shaped Picture Sleeve in beige/light blue injection moulded variants and Irish pressing. It peaked at No. 31 on the UK Singles Chart for 5 weeks.

A Gospel Rock Cry for Connection Queen’s “Somebody To Love” 7-inch vinyl single, was released in the UK on November 12, 1976, on EMI Records (catalogue: EMI 2565). Backed with “White Man,” this gospel-infused rock ballad, written by Freddie Mercury, was produced by Queen and engineered by Mike Stone. The A-side’s soaring vocals, layered harmonies, and Brian May’s guitar peaked at No. 2 on the UK Singles Chart for 9 weeks. Issued in solid centre, white label, company sleeve, a

A Glam Rock Heartthrob's Plea The G. Band’s “Lay Your Love On Me” 7-inch vinyl single was released in the UK on November 5, 1976, on CBS Records (catalogue: S CBS 4710). Backed with “Hard To Settle Down,” this upbeat glam rock track, written by Gerry Shephard and John Springate, was the band's debut under their new name. Produced by Mike Leander. Both tracks taken from the CBS album "Paris Match" S 81717. Single Breakdown Tracklist Label: CBS – S CBS 4710 Format: Vinyl, 7", 4

A Glam Rock TV Beam Marc Bolan’s performance of “Laser Love” was recorded on October 21, 1976, at Granada Studios, Manchester, for the TV show The Arrows, and broadcast on November 2, 1976, on ITV. This vibrant glam rock performance, featuring Marc lip-syncing in a style similar to Prince around 1981-82, stands out as a memorable moment, it remains a beloved glimpse into Bolan’s final years.

Steve Harley and Cockney Rebel’s Love’s a Prima Donna  was released as an LP album in the UK by EMI Records (catalog number EMC 3150) on October 29, 1976. Steve Harley began writing material for the album while touring with Cockney Rebel to promote their 1976 album "Timeless Flight." The recording sessions for the new album occurred at Abbey Road Studios in London from June to September 1976. After completion, guitarist Jim Cregan departed from Cockney Rebel to join Rod Stewa

Elton's Soulful Apology Anthem Elton John’s “Sorry Seems To Be The Hardest Word” 7-inch vinyl single, was released in the UK on October 29, 1976, on The Rocket Record Company (catalogue: ROKN 517). Backed with “Shoulder Holster,” this poignant ballad, written by Elton John and Bernie Taupin, was the lead single from the double album Blue Moves. Produced by Gus Dudgeon, the song’s delicate piano and mournful vocals captured themes of regret, peaking at No. 11 on the UK Singles