Alice Cooper’s breakthrough 1971 album Love It To Death, a cornerstone of shock rock and hard rock, reissued and highlighted in Billboard’s New Releases on June 13, 1987, featuring the iconic hit “I’m Eighteen.” RELEASE / PUBLICATION DETAILS Artist: Alice Cooper Title: Love It To Death Date: 1971 (Original) / June 13, 1987 (Reissue noted in Billboard) Label: Warner Bros. Format / Type: CD Album Country: United States Catalogue: 1883-2 TRACK LIST Caught In A Dream I’m Eighteen

This striking Melody Maker advertisement promotes the forthcoming London appearance of the Alice Cooper Group alongside Arthur Brown’s Kingdom Come at the Rainbow Theatre. Published just over two weeks before the concert, the advert uses distinctive illustrated artwork and bold typography to announce the November 7 show. Publication: Melody Maker Date: October 23, 1971 Concert Date: November 7, 1971 Country: United Kingdom The advertisement announces Alice Cooper Group and Ar

The Official Singles Chart covering October 24-30, 1971 marked the chart debut of Slade’s “Coz I Luv You.” Entering at No. 26, the Polydor single began a 15-week chart run that would take Slade to No. 1 for four consecutive weeks, becoming the group’s first UK chart-topper. Artist: Slade Single: Coz I Luv You Chart: Official Singles Chart Chart Week: October 24-30, 1971 New Entry Position: No. 26 Peak Position: No. 1 Label: Polydor Catalogue Number: 2058155 THE CHART STORY “C

A full‑page Philips Records advertisement celebrating Rod Stewart achieving the remarkable feat of holding both the UK No.1 album and No.1 single positions simultaneously, reflecting his rapid rise to the very top of British popular music in 1971. Publication: Melody Maker Publication Date: October 9, 1971 Country: United Kingdom This striking full‑page advertisement from Philips Records features a large black‑and‑white performance photograph of Rod Stewart holding a micropho

Released on October 8, 1971, Coz I Luv You became the single that transformed Slade from a rising rock band into one of the biggest acts of the glam rock era. Issued by Polydor Records under catalogue number 2058 155, the record delivered the group's first UK No. 1 single and launched an extraordinary run of chart success throughout the 1970s. Built around Jim Lea's distinctive violin, a stomping rhythm and Noddy Holder's unmistakable vocal delivery, the song introduced the d

This short newspaper column highlights the rapidly growing notoriety of the Alice Cooper Group, focusing on the band's increasingly theatrical stage presentation and unusual public image. Written during the group's breakthrough period, the piece reflects both fascination and scepticism toward one of rock's most controversial new acts. Publication: The Press Democrat Date: October 3, 1971 Country: United States In her regular "The Disc Seen" column, Diane Morgan singles out th

This feature examines the extravagant image and behaviour associated with rock stars, but gives particular attention to Alice Cooper and his band. The article explores the group's shock-rock presentation, audience reactions and growing popularity, presenting Alice Cooper as one of the most controversial acts in contemporary rock music. Publication: Philadelphia Daily News Date: September 29, 1971 Country: United States Written by Fred Sparks, the article looks at the increasi

On September 25, 1971, David Bowie performed at the Friars Club in Aylesbury in a concert now remembered as the first live appearance of the group that would soon become known as The Spiders From Mars. Featuring Mick Ronson, Trevor Bolder and Woody Woodmansey, the performance marked a pivotal moment in Bowie's career and provided an early glimpse of the band that would help define the Ziggy Stardust era. Date: September 25, 1971 Country: United Kingdom THE STORY David Bowie a

This Courier‑Journal review from September 19 1971 covers Alice Cooper’s performance at the Brown Theater in Louisville, Kentucky. Written by Chris Waddle, it examines Cooper’s theatrical stage presence, provocative humor, and his delight in shocking audiences as part of his rock persona. Publication: The Courier‑Journal Date: September 19 1971 Country: United States The article describes Alice Cooper as a 23‑year‑old frontman leading a five‑man rock group that played to capa

This Record Mirror feature from September 11 1971 captures Slade’s explosive live energy and their ability to turn passive audiences into full‑on participants. Written by Peter Jones, the article celebrates the band’s rowdy, high‑impact performances that redefined British rock showmanship. Publication: Record Mirror Date: September 11 1971 Country: United Kingdom The piece opens with the observation that Slade’s concerts were anything but quiet affairs — audiences were draw