Alice Cooper backstage – beer, banter, and pure rock chaos! Melody Maker Music, January 5, 1974.

Alice flexes one last group-era punch – the billion-dollar babies go out swinging! Alice Cooper Group’s Muscle Of Love , a one-page advert in Zoo World Music Paper, January 3, 1974. More shock-rock classics added weekly.

Alice Cooper’s shock-rock empire celebrates a billion-dollar festive nightmare! cover Zoo World Magazine, January 3, 1974.

Circus Magazine, January 1, 1974 cover and six-page feature Alice teaches the class – shock rock’s ultimate lesson in pop sex! Alice Cooper's 'Muscle of Love' -A Shocking Course in Pop Sex "As long as nobody gets pregnant or hurt," Alice told Circus, "Sex is really healthy." 'Muscle of Love' will tell millions of people all about it! Alice Cooper was sitting in the living room of his Malibu beach house surrounded by empty beer cans and five press agents. A woman re-porter fro

Alice Cooper's Music Scene Album Win & Tour Comp Published in the UK on January 1, 1974, Music Scene Magazine across two pages feature “A Chance To See Alice Live!” promoted a competition to win one of 50 copies of the Alice Cooper Group’s latest album, with every entrant (regardless of winning an album) getting a chance to see Alice live during his upcoming UK tour. The article stated the tour was scheduled for sometime in April, with all entries kept and lucky ticket winner

Alice Cooper Group’s The Untold Stories Behind The Album Covers , a three-page feature with a Ravemate pull-out poster in Circus Raves, January 1, 1974. Alice Cooper spills the secrets – Although most fans never knew it, Alice's albums have consistently caused more trouble than a swarm of angry Hell's Angels. On his first LP cover, Warner Brothers had to castrate his thumb! Album covers have always been a the side of record companies, and lately costs and competition for bett

Alice Cooper Group’s cover Pop Magazine, January 1, 1974.

A burst of colour, shock, and youth‑culture energy — Look‑In captured Alice Cooper at the exact moment the UK embraced the band’s theatrical revolution.

A colourful BRAVO magazine spread featuring stage photography, pop‑news snippets, new single announcements, and editorial commentary in a collage‑style layout.

A guillotine, a beer can, a theatre full of empty seats — and a band preparing to conquer the world with a show too outrageous to ignore.