David Bowie’s "Can I Have Your Autograph?", a one-page article in Melody Maker, March 2, 1974. "Can I have your autograph? " Our Little...

A volatile, humorous, and revealing portrait of Angie Bowie at the height of her cultural impact — a snapshot of the chaos orbiting the Bowie household in 1974.

A secondary excerpt highlighting the advert’s role in reintroducing Bowie’s early, heavier sound to a rapidly expanding 1974 audience — a reminder that the foundations of his later fame were already firmly in place.

Published in February 1974, Rolling Stone devoted a four‑page feature to a conversation between William Burroughs and David Bowie, pairing Terry O’Neill’s stark portrait photography with a deep, exploratory dialogue on art, identity, cut‑up writing, and the future of performance.

Published February 23, 1974, this issue of New Musical Express reflects a music scene in transition: established giants plotting major tours, art‑rock innovators gaining momentum, and the aftershocks of glam still shaping the charts.

A short industry report announcing the Village People’s new version of “Just a Gigolo,” released to coincide with David Bowie’s forthcoming film of the same name.

A dramatic, full‑bleed two‑page portrait of David Bowie, published as the centrepiece of Disc’s 1974 Music Poll Awards issue, honouring his dominance across multiple categories.

A candid, atmospheric profile of David Bowie following his sweep of the Disc Music Poll Awards — puffing on Gitanes, brushing off trophies, and preparing his next metamorphosis in a secluded French studio.

A stylish, candid feature capturing Lulu’s re‑emergence in 1974 — reflecting on her past, her independence, her music, and the persistent rumours surrounding her personal life

David Bowie’s "Back in Town Lulu", a one-page article in Disc, February 16, 1974.