A dramatic, mythic portrait of David Bowie as “the last giant,” suspended between heaven and hell in classic French rock-press style.

In late May 2002, David Bowie and Moby teamed up for a major joint tour, landing them together on the cover of Entertainment Weekly as part of the magazine’s Summer Music Preview. SOURCE DETAILS Publication: Entertainment Weekly Date: May 31, 2002 (Issue #656) Country: United States Section / Pages: Front Cover / Summer Music Preview THE STORY This high-profile cover promotes the joint “Bowie & Moby Hit the Road” tour, positioning the two very different artists as a fascinat

In late May 2002, David Bowie shared a striking magazine cover with electronic star Moby, as the two visionary artists were rumoured to be collaborating or working together on new music. SOURCE DETAILS Publication: Music / Style Magazine (likely Q, Mojo or Uncut) Date: May 31, 2002 Country: United Kingdom Section / Pages: Front Cover / Main Feature THE STORY This dramatic cover announces a joint project or meeting of minds between David Bowie and Moby under the headline “FELL

A detailed profile from Guitarist magazine dated May 1, 1997, focusing on Reeves Gabrels’ creative partnership with David Bowie during the Earthling era. SOURCE DETAILS Publication: Guitarist Magazine Date: May 1, 1997 Country: United Kingdom Section / Pages: Feature Article THE STORY Reeves Gabrels discusses his role as Bowie’s guitarist and key collaborator, explaining his aggressive, textural approach to playing — “trying to kill someone with it.” He covers his shift from

This Billboard advert promoted the next instalments in Bowie’s Sound + Vision reissue series — Aladdin Sane and Pin Ups. The campaign emphasised “a triumph of re‑issuing integrity,” highlighting digital remastering and bonus tracks. The visual composition features Bowie in a magenta‑tinted suit holding a saxophone, symbolising his duality as musician and innovator. The tagline “1973: Ahead of Their Time / 1990: Still Ahead” bridges eras, underscoring Bowie’s enduring relevanc

A full music page from The Orlando Sentinel (June 29, 1990) reviewing David Bowie’s reissued early catalog on CD, including Space Oddity, The Man Who Sold the World, Hunky Dory, and The Rise and Fall of Ziggy Stardust and the Spiders From Mars, while discussing his current “greatest hits” tour and artistic evolution. THE STORY WHAT THE CLIPPING SHOWS Publication: The Orlando Sentinel Date: June 29, 1990 Country: United States Section: Music / Record ReviewsThe page celebrates

Striking one-page promotional advertisement for David Bowie’s album Never Let Me Down and the single “Day-in Day-out”, featuring the bold headline “BOWIESSIMO!”. PUBLICATION: Date: June 2, 1987 Country: Netherlands / Europe Section / Pages: One-Page Advertisement Title: BOWIESSIMO! / NEVER LET ME DOWN THE STORY The dramatic black-and-white ad showcases a close-up portrait of David Bowie with his trademark 1980s hairstyle, intense gaze, and stylish pose. It promotes the new al

Publication: St. Cloud Times (Saint Cloud, Minnesota) Date: Thursday, July 3, 1986 Promotional advertisement for the fantasy adventure film Labyrinth, directed by Jim Henson and produced by George Lucas. The striking ad features a large image of the Goblin King (David Bowie) with supporting characters from the film. The advertisement includes a glowing quote from Joanna Langfield (ABC-Radio): “Jim Henson and George Lucas have inspired one another. There are twists and turns a

A striking June 1983 Starfix magazine cover featuring David Bowie in character from the film Furyo (Merry Christmas, Mr. Lawrence), highlighting his acting career during a major cinematic phase. Publication: Starfix Date: June 1, 1983 Country: France Section / Pages: Front Cover Title: DAVID BOWIE FURYO THE STORY The cover shows David Bowie in military uniform and a distinctive hat, sitting in a vehicle with a serious expression. The issue also promotes other content includin

A sensational news item from The Sun dated May 19, 1983, reporting that the BBC considered David Bowie’s video for “China Girl” too provocative for prime-time television. SOURCE DETAILS Publication: The Sun Date: May 19, 1983 Country: United Kingdom Section / Pages: News Item THE STORY The article reveals that the BBC edited Bowie’s £100,000 “China Girl” video — which featured a romantic and sensual beach scene with an “Oriental beauty” — before it could be shown on Top of th