ELO: Orchestral Pop-Rock Masters

Electric Light Orchestra, commonly known as ELO, were one of the most ambitious and successful British bands of the 1970s. Formed by Jeff Lynne and Roy Wood in 1970, they fused classical orchestration with rock and pop to create a unique, cinematic sound that became a hallmark of the decade. Signature Hits: “Mr. Blue Sky” “Livin’ Thing” “Sweet Talkin’ Woman” After Roy Wood’s early departure, Jeff Lynne took the helm and turned ELO into a global powerhouse. Known for their lus

Jeff Lynne’s ELO captured live in spectacular fashion at Wembley Stadium on June 24, 2017, for the triumphant Wembley Or Bust concert album. This triple LP release showcases a career-spanning set featuring classic hits, deep cuts, and rarely performed gems in front of a sold-out crowd. RELEASE / PUBLICATION DETAILS Artist: Jeff Lynne's ELO Title: Wembley Or Bust Date: Recorded live June 24, 2017 at Wembley Stadium, London Label: Columbia / Sony Music Format / Type: Triple LP

Release Date: June 27, 1981 Label: Jet Records Format: Special Edition LP (Half-Speed Mastered) Country: United States Catalogue Number: HZ 46310 THE RELEASE WHAT THE PACKAGING SHOWS Special half-speed mastered edition of Electric Light Orchestra’s greatest hits compilation. The album features many of the band’s biggest hits, produced by Jeff Lynne, and was issued as a high-quality vinyl pressing with distinctive blue and yellow Jet Records labels. • Half-speed mastered editi

Released on June 23, 1972, “10538 Overture” is the debut single by the Electric Light Orchestra. It was the lead single from their self-titled debut studio album and marked the first recording by the band after Roy Wood added orchestral instruments to the song. RELEASE DETAILS Artist: The Electric Light Orchestra Label: Harvest Date: June 23, 1972 Catalogue: HAR 5053 Format: 7" Vinyl Single Country: United Kingdom A-Side: “10538 Overture” Written by: Jeff Lynne Produced by: R

A full‑page readers’ letters feature from New Musical Express dated May 13 1972, headlined “What About A Benefit for Hawkwind?” The page opens with a letter proposing a benefit concert to help Hawkwind replace equipment stolen for the second time in six months. The accompanying photograph shows the band in a group pose, capturing their communal, space‑rock image. The remainder of the page continues NME’s “Gasbag” section, a collection of readers’ letters covering artists from