New Musical Express (May 13, 1972) Hawkwind – What About A Benefit?

A full‑page readers’ letters feature from New Musical Express dated May 13 1972, headlined “What About A Benefit for Hawkwind?” The page opens with a letter proposing a benefit concert to help Hawkwind replace equipment stolen for the second time in six months. The accompanying photograph shows the band in a group pose, capturing their communal, space‑rock image. The remainder of the page continues NME’s “Gasbag” section, a collection of readers’ letters covering artists from Genesis to Todd Rundgren, Bridget St John, Curved Air, and Electric Light Orchestra.

Writer: Gary and Vik (Woking) – reader letter

Publication: New Musical Express (UK)

Date: May 13 1972

Length: 1 page feature

The lead letter urges fellow musicians and fans to support Hawkwind after repeated equipment thefts, suggesting a benefit concert to raise £3,000. The editorial placement highlights Hawkwind’s importance within the British underground scene and the solidarity of their fan base. The surrounding letters reflect the diversity of NME’s readership, discussing progressive rock, folk, and emerging glam influences.

“We think that, as a result of Hawkwind having all their equipment stolen for the second time in six months, other bands should organise a concert for the benefit of Hawkwind.”

PUBLICATION

Publication: New Musical Express (UK)

Date: May 13 1972

Country: United Kingdom

Section / Pages: Page 41 – Gasbag Readers’ Letters

Title: What About A Benefit for Hawkwind?

THE STORY BEHIND IT

By spring 1972, Hawkwind had become a central figure in Britain’s underground rock movement, known for their free festivals and space‑rock sound. Repeated equipment thefts threatened their ability to perform, prompting fans and fellow musicians to call for a benefit concert. NME’s publication of the letter demonstrated the band’s grassroots support network and the sense of community within the early ’70s counterculture. The page also memorialises Les Harvey of Stone the Crows, whose recent death was acknowledged in the same issue.

FEATURE HIGHLIGHTS

Event: Reader appeal for Hawkwind benefit concert

Era: 1972 – British space‑rock and underground scene

Tone: Supportive and grassroots

Photography: Black‑and‑white group portrait of Hawkwind

Audience: UK music press readers and Hawkwind fans

WHAT THE CLIPPING SHOWS

Event: Reader appeal for Hawkwind benefit concert

Era: 1972

Tone: Supportive and communal

Photography: Black‑and‑white band portrait of Hawkwind

Audience: UK music press readers and rock enthusiasts

CONTEXT AND NOTES

The feature illustrates the solidarity of Britain’s underground music scene in 1972, where bands and fans often collaborated to sustain live performance culture. Hawkwind’s situation became a symbol of the fragility of independent rock operations and the importance of community support. The page’s mix of letters on progressive and folk artists shows NME’s broad editorial reach and the diverse interests of its readership during the era.

“Hawkwind have a large number of friends who must feel as we do — that they too have benefited from the sounds Hawkwind have done much to develop.”

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