A Rolling Stone Station To Station Tour Tease Published in the US on January 15, 1976, Rolling Stone’s one-page article “Bowie To Tour” announced David Bowie’s upcoming 1976 North American tour in support of his forthcoming album Station to Station. The piece detailed the plans for Bowie’s return to the stage after his Berlin retreat, highlighting the Thin White Duke persona and the anticipation for the new sound. Article Overview Publication Details Magazine: Rolling Stone

David Bowie's cover feature in Street Life, January 10–23, 1976.

David Bowie brings plastic soul to America’s coolest dance show! David Bowie appeared on the iconic US TV show Soul Train on November 4, 1975 – one of the most surreal and memorable moments in his career. He performed (miming to playback): “Fame” (his first US #1) “Golden Years” (the then-unreleased single from the upcoming Station to Station) The episode included an interview with host Don Cornelius and questions from the audience. Bowie was visibly nervous, making for a fam

two-page feature in Rock Scene Magazine, January 1, 1976.

Young Americans-era Bowie hits Wembley – soul horns and blue-eyed funk invade London! one-page article in New Musical Express, November 22, 1975.

David Bowie’s "Fame"  backed with "Right" , was released as a 7-inch vinyl single in the UK by RCA Records (catalog number RCA 2579) on July 18, 1975, as the second single from his 1975 album Young Americans, by RCA Records. Co-written by Bowie, guitarist Carlos Alomar, and John Lennon, it was recorded at Electric Lady Studios in New York City in January 1975. The song is a biting commentary on the pitfalls of stardom, reflecting Bowie’s and Lennon’s frustrations with the mus

Soul grooves, sharp tailoring, and a voice reborn — Young Americans marks Bowie’s most surprising transformation yet.

A cover tease, a shadowed stage photo, and a soul‑drenched reinvention — Bowie’s Young Americans era arrives in the British press with a mixture of awe and apprehension.

A chaotic collage of stars, flashbulbs, and irreverent captions — NME’s “Thrills” page turns Grammy week into a surreal New York fever dream.

A brief announcement with outsized impact — the first public signal that Bowie was leaving glam behind and stepping into the sleek, soulful world of Young Americans.