The advert positions the Faces as a must‑see live act, highlighting their ability to turn any hall into a party. It reflects the band’s unique chemistry: Ronnie Lane’s warmth, Ronnie Wood’s swaggering guitar, Ian McLagan’s rolling keyboards, Kenney Jones’ punchy drumming, and Rod Stewart’s unmistakable rasp tying it all together.

A classic 1973 NME front cover and back-page promo teasing rock fans with a coveted free single from The Faces.

A transitional moment for Faces, with Ron Wood stepping forward vocally as the band reshapes its identity ahead of Ooh La La.

A warm, candid NME profile capturing Ian MacLagan’s humour, modesty, and deep love of soul‑driven rock — a portrait of the Faces’ quiet anchor at the height of their swaggering fame.

A spirited interview with Ron Wood capturing the Faces’ combustible energy — a band whose sessions, shows, and friendships were equal parts brilliance and bedlam.

A high‑energy chart roundup announcing the Faces’ dramatic leap into the Top 20 with “Cindy Incidentally,” one of the week’s biggest movers and a defining moment of their 1973 momentum.

The single became Faces’ most successful UK hit, peaking at No. 2 and spending nine weeks on the Official Singles Chart. AllMusic later praised it as “one of their best.” In the US, the song achieved moderate success on the Billboard Hot 100.

Publication: Sounds Date: November 18 1972 Country: United Kingdom Section / Page: Feature / Photo Report Format: Tour Announcement / Group Portrait Overview A lively Sounds feature marking The Faces’ return to the road with two London concerts. The photograph captures the band’s swaggering camaraderie — Rod Stewart, Ronnie Wood, Ian McLagan, Kenney Jones, and Ronnie Lane — poised before their major UK tour. The article’s tone reflects the band’s reputation for exuberant perf

A lively and affectionate report celebrates the Faces’ ability to turn every gig into a joyous, boozy celebration of rock ’n’ roll, capturing the band’s unique chemistry and crowd-pleasing energy at their peak. The piece highlights the loose, good-time spirit that made the Faces one of the most loved live acts of the early 1970s. This November 1972 Melody Maker feature perfectly distils the infectious, ramshackle charm that defined the Faces during their golden period. 🗞 Mel

A full‑page review section from New Musical Express dated May 13 1972, titled “Front Row Reviews.” The main feature, “Rod‑nee, Rod‑nee, Faces Win The Cup,” celebrates Rod Stewart and The Faces following their triumphant live performances. The page also includes reviews of Joni Mitchell, Donovan, Family, Dr. John, Curved Air, and Cheech & Chong, capturing a vivid cross‑section of early‑1970s music culture. Writer: Uncredited (NME staff review) Publication: New Musical Express