A new 140g vinyl edition of the Faces’ final studio album Ooh La La brings the 1973 classic back into circulation. The reissue highlights the album’s enduring appeal and the distinctive Art Deco‑inspired packaging that made the original LP a standout release.

Faces' Fourth & Final Chart-Topper Reissue The Faces' fourth and final studio album Ooh La La (originally released in 1973) was their only effort to top the UK Albums Chart and featured some of the band’s most popular tracks, including the title track “Ooh La La,” “Cindy Incidentally,” “Glad and Sorry,” and “Just Another Honky.” The cover of the album was designed by Jim Ladwig, around a stylised photograph of "Gastone", a stage character of 1920s Italian comedian Ettore Petr

Where the Glitter Began From grey Britain to a technicolour explosion – the story of how rock got fabulous. Glam rock didn’t just happen – it erupted in the UK at the start of the 1970s like a sequinned volcano, turning drab streets into catwalks and ordinary lads into peacocks. The Spark That Lit the Fuse The drab backdrop: Three-day weeks, power cuts, strikes, and post-war austerity still hanging in the air. Britain needed colour, escape, and a damn good kick up the backsid

In the spring of 1977, with The Faces long disbanded and Rod Stewart riding high as a solo superstar, a double-album compilation arrived to celebrate one of the greatest British rock ’n’ roll bands of the early 1970s. Released on 29 April 1977 exclusively in the UK and Ireland on the Riva label, The Best Of The Faces gathered 20 essential tracks from the band’s classic period. Full-page Sounds magazine advert, April 30, 1977 🔘 Release Details Label: Riva Catalogue Number: RV

Eight years after their split, the Small Faces return not as a nostalgia act, but as a band ready to write a new chapter.

Publication: New Musical Express Date: January 17, 1976 Writer: Chris Salewicz A stark, searching New Musical Express feature in which Ronnie Lane — philosopher, songwriter, ex‑Small Face, and itinerant seeker — reflects on the state of rock, the future of his old band, and the spiritual weight of the mid‑’70s music world. Lane questions whether rock can survive its own excesses, discusses the possibility of a Small Faces reunion, and speaks candidly about illness, intuitio

Publication: Circus Magazine Date: May 1, 1975 Country: USA Section / Page: Four‑page feature Format: Article / Photo Feature (Page 1) What the Clipping Shows Full‑page colour opener for Ron Ross’s feature Faces Survive Solo Syndrome. The headline sits boldly across the top in yellow type against a blue sky, with the sub‑heading describing the band’s return to America after solo pursuits. The photograph captures The Faces performing outdoors — Ronnie Lane on bass and Ron Wo

A full-page Disc advertisement promoting The Faces’ new single with a characteristically wild and humorous illustration. Their single “You Can Make Me Dance, Sing, Or Anything…” Disc Date: December 28, 1974 Length: 3 min read 📰 Key Highlights • Colourful, chaotic cartoon illustration by Ron Wood showing the band (and large fish) in a drunken underwater party scene • Playful headline “To Thank You All… We’ll Drink Those Fish Under The Table” • Prominent “FACES” letter

Label: Warner Bros. Records Catalogue Number: K 16494 / WB 6385 Format: 7" Vinyl Single (Push‑Out Centre / Solid Centre / Styrene / Promo) Released: November 22, 1974 (UK) A joyous, loose‑limbed funk‑rock celebration — the final Faces single, and the longest song title ever to chart in the UK. Released in the UK on November 22, 1974, “You Can Make Me Dance, Sing Or Anything (Even Take The Dog For A Walk, Mend A Fuse, Fold Away The Ironing Board, Or Any Other Domestic Short Co

A striking Melody Maker front page featuring Rod Stewart and The Faces in full performance mode, announcing their major British tour. The issue also teases Bowie’s forthcoming album preview, capturing a pivotal moment in early‑1970s rock. Writer: Melody Maker Editorial Team Artist: The Faces / Rod Stewart Date: May 11, 1974 Length: 5 min read This *Melody Maker* cover highlights The Faces’ nationwide tour, with Rod Stewart pictured mid‑performance — microphone in hand, wh