A late‑80s Iggy Pop single that bridged cinema, alternative radio, and the final glow of the post‑punk era — charting modestly in the UK while making a stronger impact on the US Alternative Airplay chart.

A Metallic KO Michigan Palace Relic Released as a limited, numbered 7-inch clear glitter vinyl single in the UK on November 30, 1988, on Jungle Records (catalogue: JUNG 61), Iggy And The Stooges’ “(I Got) Nothing” b/w “Cock In My Pocket” was taken from the legendary final Stooges show at Michigan Palace, February 9, 1974 — immortalised on the Metallic KO album. Remastered from the original Skydog tapes, this raw, chaotic live assault with Ron Asheton (bass), Scott Asheton (dr

Punk didn’t arrive quietly — it kicked the door in. CREEM’s Spring ’78 spread captured the moment the future of rock stopped asking permission.

A mischievous wink from the music press: NME’s 1978 take on the Bowie–Iggy bootleg that blurred the line between myth and memorabilia.

The City That Hit NME Published in the UK on January 28, 1978, New Musical Express’s one-page album review of Iggy Pop’s Kill City set the record straight on its origins and context. The reviewer noted that, contrary to some claims, the album was not recorded between 1974 and 1975 — almost all tracks (except the instrumental “Master Charge”) were laid down in May 1975 at the LA demo studio owned by MOR songwriter Jim Webb, funded by a modest donation from ex-rock critic/A&R m

Iggy Pop’s Lust For Life , a one-page review in Rolling Stone, January 1, 1978. Pop RCA AFLI-2488 By Billy Altman IGGY POP'S SECOND comeback album leaves one with ambivalent feelings: glad that Iggy is alive, apparently well, writing, singing and performing again, but upset because his new stance is so utterly unchallenging and cautious. Taken purely on its own terms, Lust for Life is a successful album. Side one is quite good, starting with the title cut, which rocks with a

A sweater, a keyboard, and a refusal to sing — Bowie’s Berlin persona plays out in real time.

A three‑page chronicle of chaos, discipline, and the strange brotherhood that powered Iggy Pop’s 1977 resurrection.

Berlin becomes a crucible — a place where Iggy Pop rebuilds himself and Bowie finds a new artistic language.

Bowie & Iggy's 1977 UK Tour Plans Published in the UK on January 29, 1977, Melody Maker’s article “Iggy Join Forces” reported on plans for David Bowie and Iggy Pop (whom Bowie now managed) to appear in Britain that year. Bowie, whose controversial new album Low was at No. 17 in the MM charts, wanted to tour in the autumn with Brian Eno on keyboards, Tony Visconti on bass, and Ricky Gardiner (formerly of Beggar's Opera) on guitar — all of whom played on Low (co-produced by Bo