Iggy Pop (born James Newell Osterberg Jr., April 13, 1947) is an American singer, songwriter, musician, and actor. Known for his wild, unpredictable stage presence, shirtless performances, and raw, aggressive music, he is widely regarded as one of the most influential figures in rock history — the ultimate proto-punk icon who helped pave the way for punk, alternative, and modern rock. THE STOOGES ERA (1967–1974, reunions later) Iggy formed The Stooges in Ann Arbor, Michigan.

Iggy Pop released the single “I’m Bored” on Arista Records (5C 006-62705) in the Netherlands. A-side: “I’m Bored” (written by Iggy Pop, produced by James Williamson) B-side: “African Man” (written by Iggy Pop, produced by James Williamson)

A two-page feature from Circus magazine dated May 26, 1977, focusing on Iggy Pop’s return with his album The Idiot and his collaboration with David Bowie. SOURCE DETAILS Publication: Circus Magazine Date: May 26, 1977 Country: United States Section / Pages: Two-page feature Writer: Wesley Strick THE STORY The article explores Iggy Pop’s comeback after years of personal struggles, detailing the making of The Idiot in collaboration with David Bowie. It covers Iggy’s renewed foc

Iggy Pop - May 20, 1977 Release day for Iggy Pop’s single “China Girl” on RCA Victor (PB 9093). Co-written with David Bowie and produced by him during their Berlin period, this was one of the key tracks from the sessions that also produced the album The Idiot. The B-side was “Baby”. The single failed to make an impression on the UK Singles Chart A significant moment in Iggy’s artistic rebirth, with Bowie’s influence clearly shaping the sound and direction. Written by David B

A compelling album review column from Circus magazine dated May 12, 1977, examining Iggy Pop’s landmark solo debut The Idiot.

This review by John Swenson examines Iggy Pop’s landmark solo album The Idiot, produced by David Bowie. Swenson praises the record’s dark, minimalist sound and describes it as a savage indictment of rock posing, calling it “the most savage indictment of rock posturing ever recorded.” SOURCE DETAILS Publication: Rolling Stone Date: May 3, 1977 Country: United States Section / Pages: Album Review THE STORY T his review by John Swenson examines Iggy Pop’s landmark solo album The

This 1977 issue of ZigZag captures the raw energy of Iggy Pop’s solo ascendancy following his Stooges era. The cover headline — “The Stooge Steals the Stage” — frames him as punk’s unruly torchbearer amid the emerging UK scene. Shot in high‑contrast black and white against a vivid yellow background, the image shows Iggy gripping a microphone mid‑performance, his bare torso and intensity symbolizing the era’s feral spirit. Publication: ZigZag Magazine (London, United Kingdom)

A powerful full-page advertisement from Rolling Stone magazine dated 10 May 1973, promoting the release of Iggy Pop and The Stooges’ landmark album Raw Power.