A pair of heartfelt letters remind readers that even guitar heroes need room to grow — and that Ronson’s first steps as a solo artist deserved encouragement, not condemnation.

A young reader sees Bowie not as a musician first, but as a mythmaker — a figure whose imagery and language lead a generation searching for escape, identity, and something larger than life.

A surreal night at Biba’s — Bowie in emerald green, Angie glowing, Nik Cohn guiding cameras, and Peellaert’s pop hallucinations hanging like sacred relics. Rock Dreams came to life, one champagne‑soaked moment at a time.

A brief but revealing Melody Maker update marking Bolan’s return to UK touring and the launch of his ambitious Zinc Alloy era.

A concise news piece in Melody Maker excitedly announces David Bowie’s return to the stage for two special nights at London’s Hammersmith Odeon, marking his first UK live appearances since the dramatic retirement of Ziggy Stardust. The article teases the shows as a major event for fans, noting the rapid sell-out potential and Bowie’s continued evolution after the Ziggy era. This October 13, 1973 Melody Maker feature captures the electric anticipation surrounding Bowie’s post-

A heartfelt one-page feature in Melody Maker catches up with Slade drummer Don Powell shortly after his near-fatal car crash, as he reflects on recovery, the band’s resilience, and his determination to return to the stage. The piece balances the shock of the accident with Powell’s quiet optimism and the band’s strong camaraderie during his absence. This October 13, 1973 Melody Maker feature offers a touching behind-the-scenes look at Slade at their commercial peak, showing th

A thoughtful one-page album review in Melody Maker assesses Lou Reed’s *Berlin* as a dark, cinematic concept record that dives deep into themes of addiction, abuse, and emotional collapse, marking a bold departure from his earlier work. The piece praises the album’s ambitious scope and Reed’s unflinching storytelling while noting its challenging, sometimes gruelling nature. This October 13, 1973 Melody Maker review captures Lou Reed at a fiercely artistic moment, pushing his

A vibrant two-page feature in Melody Maker celebrates David Bowie as the defining figure who brought glamour, theatre, and style to rock music, positioning him as the leader of the new glam movement. The piece is dominated by a large, iconic live photograph of Bowie in full Ziggy regalia, arm dramatically raised, capturing his commanding stage presence. This October 6, 1973 Melody Maker feature marks the moment when Bowie’s Ziggy Stardust persona had become the undisputed sym

A warm, in-depth one-page feature in Melody Maker sits down with Jeff Lynne to discuss Electric Light Orchestra’s ambitious new direction, their recording of “Roll Over Beethoven,” and the challenges of blending classical grandeur with rock energy. The piece is illustrated with a striking live shot of Lynne and the band in full flight, highlighting their growing confidence and orchestral ambitions. This August 11, 1973 Melody Maker feature captures ELO at a pivotal moment — t

A lively one-page feature in Melody Maker profiles Roy Wood and his band Wizzard, celebrating their energetic brass-driven sound and Roy’s colourful, multi-instrumental genius nearly a decade into his career. The piece highlights Wizzard’s recent chart success and Roy’s determination to keep evolving beyond his Move and ELO days. This August 11, 1973 Melody Maker feature captures Roy Wood at the height of Wizzard’s glam-pop phase, when his wild stage persona and brass-heavy p