Slade's Final Studio Album Lead Track Still The Same was released February 2, 1987 as the lead single from Slade's fourteenth and final studio album You Boyz Make Big Noize. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by John Punter. "Still the Same" peaked at number 73 in the UK Singles Chart and remained in the top 100 for four weeks. Release Details In 1986, Slade started writing and recording for their album You Boyz Make Big N

A Charity Christmas Comeback Released as a 7-inch vinyl single in the UK on November 22, 1985, on RCA Records (catalogue: PB 40449), Slade’s “Do You Believe In Miracles” was their charity Christmas single — all publishing royalties donated equally to Band Aid Trust and British Children in Need (NSPCC). Backed with the swing version of “My Oh My,” produced by John Punter (A) and Monty Babson (B). Peaked at No. 54 on the Official Singles Chart for 6 weeks. Issued in standard 7

A Slade Glam-Rock Comeback Released as a 7-inch vinyl single in the UK on January 13, 1984, on RCA Records (catalogue: PB 6825), Slade’s “Run Runaway” — backed with “Two Track Stereo, One Track Mind” — was a high-energy glam-rock anthem. This track marked Slade’s strong mid-’80s comeback, entering the Official Singles Chart on February 4, 1984, peaking at No. 7, and charting for 10 weeks. A stomping Slade classic. Single Overview Release Details Label: RCA Records. Format:

The Oh My That Rocked '83 Slade’s “My Oh My” 7-inch vinyl single, was released in the UK on November 11, 1983, on RCA Records (catalogue: RCA 373 / PB 68119). Backed with “Keep Your Hands Off My Power Supply,” this anthemic rock ballad, written by Noddy Holder and Jim Lea, was produced by John Punter for Perseverance Ltd. The A-side’s soaring chorus and heartfelt lyrics peaked at No. 2 on the UK Singles Chart for 11 weeks, with limited editions adding “Merry Xmas Everybody (L

A 1982 Slade single revived from a 1978 idea, issued in both 7" and double‑pack formats and peaking at No. 51 in the UK.

Slade's 1981 Comeback Stomper Released as a 7-inch vinyl single in the UK on January 23, 1981, on Cheapskate Records (catalog number CHS 2480), Slade’s “We'll Bring The House Down” — backed with “Hold On To Your Hats” — was the lead single from their ninth studio album of the same name. Penned by Noddy Holder and Jim Lea, produced by Slade, it marked the band’s first UK Top 40 entry since 1977, peaking at No. 10 and charting for 9 weeks. Track Listing A: We'll Bring The House

Released as a 7-inch vinyl single in the UK by Barn Records (catalog number 2014 104) on January 21, 1977. Sladfes "Gypsy Roadhog"  backed with "Forest Full of Needles" , was the sole single from the band's seventh studio album, Whatever Happened to Slade, was written by lead singer Noddy Holder and bassist Jim Lea, produced by Chas Chandler, and reached No. 48 on the UK charts. Cover art for "Gypsy Roadhog" by Slade, released under Barn Records in Germany, catalogue number 2

Released as a 7-inch vinyl single in the UK on January 30, 1976, on Polydor (catalogue: 2058 690), Slade’s “Let's Call It Quits” — backed with “When The Chips Are Down” — entered the UK Singles Chart on February 7, 1976, peaked at No. 11, and charted for 7 weeks. Released as the second single from their sixth studio album, Nobody's Fools. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached number 11 in the UK Singl

Slade's Flame Soundtrack Ballad How Does It Feel released as the second single from the band's first soundtrack album and fifth studio album Slade in Flame on February 7, 1975 in promotion of the film of the same name. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 15 in the UK, remaining in the charts for seven weeks. The melody for "How Does It Feel" was the first one Lea composed while still in school.

Published February 24, 1973, this Record Mirror advert announces Slade’s new single “Cum On Feel The Noize,” released the previous day — a track destined to become one of the defining anthems of British glam.