top of page

🔘 Do You Wanna Dance? – Single: Oct. 1973

  • Writer: Barry Blue
    Barry Blue
  • Oct 12, 1973
  • 3 min read


A bright, hook‑packed glam‑pop stomper, “Do You Wanna Dance?” captures Barry Blue at his most energetic and infectious — a perfect follow‑up to his breakthrough hit “Dancin’ (On a Saturday Night).”


Released on October 12, 1973, the single arrived during Barry Blue’s peak chart period. Issued by Bell Records under catalogue number BELL 1336, the track delivered the signature Chinnichap‑influenced pop‑glam sound that defined Blue’s early‑’70s output. Backed with “Don’t Put Your Money on My Horse,” the release showcased Blue’s flair for catchy melodies, polished production, and dance‑floor‑ready arrangements. Entering the UK Singles Chart in late October, it climbed into the Top 10, reinforcing Blue’s status as one of the era’s most reliable hitmakers.


Label: Bell Records

Catalogue Number: BELL 1336

Format: 7" Vinyl Single (Solid Centre)

Released: October 12, 1973 (UK)


🔘 Track List


UK 7" Single — Bell Records – BELL 1336 — 1973


A. Do You Wanna Dance?

B. Don’t Put Your Money on My Horse


Written by: Barry Blue, Lynsey de Paul

Produced by: Barry Blue

Recorded: 1973


🔘 Key Highlights

• Released October 12, 1973

• A-side: Follow‑up to “Dancin’ (On a Saturday Night)”

• B-side: Non‑album track

• Chart debut: Late October 1973

• Performed on: UK pop‑TV rotation

• Recorded at: 1973 Bell Records sessions


🔘 The Story

After the huge success of “Dancin’ (On a Saturday Night),” Barry Blue returned quickly with another high‑energy glam‑pop single. Co‑written with Lynsey de Paul, “Do You Wanna Dance?” delivered the same irresistible blend of bright hooks, stomping rhythm, and polished production that made his earlier hit a favourite.


The track’s upbeat tempo and catchy chorus made it an instant radio and dance‑floor favourite. The B‑side, “Don’t Put Your Money on My Horse,” offered a more playful, narrative‑driven contrast, showcasing Blue’s versatility as a songwriter and producer.


Commercially, the single performed strongly, entering the UK charts in late October and climbing into the Top 10. It helped solidify Barry Blue’s position as one of the standout pop‑glam artists of the early ’70s.


🔘 Variants (UK)

• 7", 45 RPM, Single — Bell – BELL 1336 — UK — 1973

• 7", 45 RPM, Single, Promo — Bell – BELL 1336 — UK — 1973

• Issued in standard Bell Records company sleeve


🔘 Chart Performance


UK — Official Singles Chart

37 — October 20, 1973

22 — October 27, 1973

14 — November 3, 1973

9 — November 10, 1973

10 — November 17, 1973

18 — November 24, 1973

29 — December 1, 1973

42 — December 8, 1973


Total Weeks: 8


🔘 Context & Notes

• A-side: Glam‑pop follow‑up to Blue’s breakthrough hit

• B-side: Non‑album track

• Production: Barry Blue

• Sleeve notes: Standard Bell Records company sleeve

• Historical placement: One of Blue’s strongest chart performances

• Reissues / compilation appearances: Featured on numerous Barry Blue collections


🔘 Related Material

• “Dancin’ (On a Saturday Night)” (1973)

• “School Love” (1974)

• “Miss Hit and Run” (1974)

• *Barry Blue* (compilations)


🔘 Discography

Dancin’ (On a Saturday Night) — 1973

Do You Wanna Dance? — 1973

School Love — 1974

Miss Hit and Run — 1974


🔘 Mini‑Timeline

✦ 1973 — Recorded during Bell Records sessions

✦ Oct 12, 1973 — UK single released

✦ Oct 20, 1973 — Enters UK Singles Chart

✦ Nov 10, 1973 — Peaks at No. 9

✦ Dec 8, 1973 — Completes 8‑week chart run


🔘 Glam Flashback

A bright, feel‑good glam‑pop stomper — catchy, polished, and pure Barry Blue charm.



🔘 Sources

Primary reference sources: Bell Records, Discogs, Official Charts Company, contemporary music‑press documentation, archival references.


🔘 Copyright Notice

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.




 
 
 

Comments


bottom of page